Track Listing


CD I: (79:42)

Fonotipia, Milan

  With orchestra, conducted by Angelo Albergoni  
1. LA CENERENTOLA: Nacqui all’affanno … Non più mesta (Rossini) 6:53
  15 October 1927; (xxPh 6042-2, xxPh 6043) 120092  
2. Il BARBIERE DI SIVIGLIA: Una voce poco fa … Io sono docile (Rossini) 6:17
  15 October 1927; (xxPh 6046, xxPh 6047) 120098  
3. SAMSON ET DALILA: Printemps qui commence (Saint-Saëns) 5:30
  17 October 1927; (Pho 6051, Pho 6052) 168132  
4. CARMEN: L’amour est un oiseau rebelle [Habanera] (Bizet) 3:00
  17 October 1927; (Pho 6053) 168102  
5. CARMEN: Près des remparts de Séville [Séguedilla] (Bizet) 2:04
  17 October 1927; (Pho 6054-2) 168102  
6. CARMEN: Nous avons en tête une affaire (Bizet) 5:02
  with Anita Appoloni, soprano; Ida Mannarini, mezzo-soprano; Giuseppe Nessi, tenor; Aristide Baracchi, baritone
18 October 1927; (Pho 6059-2, Pho 6060-2) 168110
 

Madrid

  With orchestra  
7. L’ITALIANA IN ALGERI: Ai capricci della sorte … Donna Isabella (Rossini) 7:15
  with Vincenzo Bettoni, bass
11 February 1928; (xxS 4596, xxS 4597-2) Fonotipia 120162
 
8. L’ITALIANA IN ALGERI: Oh, che muso (Rossini) 4:33
  with Vincenzo Bettoni, bass
11 February 1928; (xxS 4598) Fonotipia 120200
 
9. L’ITALIANA IN ALGERI: Per lui che adoro (Rossini) 3:37
  with Nino Ederle, tenor; Carlo Scattola, bass; Vincenzo Bettoni, bass
13 February 1928; (xxS 4617) Fonotipia 120200
 
10. L’ITALIANA IN ALGERI: Amici, in ogni evento … Vedi, per tutta Italia (Rossini) 6:41
  12 and 13 February 1928; (SO 4613, SO 4614) Fonotipia 168167  
11. Lo frare (Manén; Manén) [text] 3:09
  with Emilio Acevedo, conductor
11 February 1928; (SO 4599-2) Spanish Odeon 185005
 
12. Lo diví estel (Manén: Manén) [text] 2:06
  with Emilio Acevedo, conductor
11 February 1928; (SO 4600-2) Spanish Odeon 185005
 
13. LA CHAVALA: Canción gitana (Chapí; J. López Silva and C. Fernández Shaw) [text] 5:01
  with Modesto Romero, conductor
12 February 1928; (xxS 4612-2) Spanish Odeon 122004
 
14. Flor de España (Luna; Fernandez del Villar) 4:20
  with Modesto Romero, conductor
13 February 1928; (xxS 4618) Spanish Odeon 122003
 
15. EL NIÑO JUDÍO: De España vengo (Luna; A. Paso and E. Garcia Alvarez) [text] 4:11
  with Modesto Romero, conductor
13 February 1928; (xxS 4619) Spanish Odeon 122003
 
16. Clavelitos (Valverde; Cadenas) [text] 1:53
  17 February 1928; (SO 4620-2) Spanish Odeon 185007  
17. LA MARCHENERA: La petenera (Moreno Torroba; F. Luque and Gonzalez del Toro) [text] 3:25
  24 April 1928; (xxS 4681-2) Spanish Odeon 122004  
18. El Saltiró de la cardina (Bou; Maria Francès) [text] 2:36
  with Emilio Acevedo, conductor
24 April 1928; (SO 4682) Spanish Odeon 185006
 
19. Canticel (Toldrá; Carner) [text] 1:59
  with Emilio Acevedo, conductor
24 April 1928; (SO 4683-2) Spanish Odeon 185006
 
CD 2 (70:47)

Spanish Odeon, Madrid, 2 May 1928

  With piano, María Gil  
1. Les aranyes (Sancho Marraco; Mestres) [text] 2:02
  (SO 4697) 185008  
2. Romanç de Santa Llucia (Toldrá; de Sagarra) [text] 2:29
  (SO 4698) 185008  
3. Cantares (From “Poema en forma de canciones” op. 19, no. 3)
(Turina; Maria de las Mercedes de Campoamor and Campoosorio) [text]
2:42
  (SO 4699) 185007  

Fonotipia, Milan

  With orchestra, conducted by Angelo Albergoni  
4. IL BARBIERE DI SIVIGLIA: Contro un cor … Cara immagine ridente (Rossini) 5:55
  with Giovanni Manuritta, tenor
19 June 1928; (xxPh 6320, xxPh 6321) 120167
 
5. LE NOZZE DI FIGARO: Non so più cosa son (Mozart) 2:52
  19 June 1928; (xxPh 6323-2) 120168  
6. LE NOZZE DI FIGARO: Voi che sapete (Mozart) 3:00
  19 June 1928; (xxPh 6322) 120168  
7. DER ROSENKAVALIER: Mir ist die Ehre widerfahren [Presentation of the Rose] (R. Strauss) 7:23
  with Ines Maria Ferraris, soprano
20 June 1928; (xxPh 6324, xxPh 6325) 120169
 
8. DER ROSENKAVALIER: Ist ein Traum [Final Duet] (R. Strauss) 6:13
  with Ines Maria Ferraris, soprano
20 June 1928; (xxPh 6326, xxPh 6327) 120170
 
9. HÄNSEL UND GRETEL: Suse, liebe Suse (Humperdinck) 6:56
  with Ines Maria Ferraris, soprano
20 June 1928; (xxPh 6328, xxPh 6329) 120166
 

Spanish Odeon, Madrid, 22 October 1928

  With chamber orchestra  
10. Adiós a Mariquiña (Castro-Chané; Curros-Enriquez) [text] 4:36
  (xxS 4906) 122007  
11. Meus amores (X. Baldomir; Golpe) [text] 3:00
  (xxS 4907) 122007  
12. FARRUCA: From “Triptico” op. 45 (Turina; Maria de las Mercedes de Campoamor and Campoosorio) [text] 3:21
  (SO 4908) 185009  
13. LA PRESUMIDA – BOLERO DEL CORRAL DE LA PACHECA: From “Canciones epigramáticas” (Vives; S. Delgado) [text] 2:56
  (SO 4909) 185009  
14. De la serranía (Romero; Machado) 2:58
  (SO 4910) 185010  
15. Les barraques (Méndez; Gallego) 2:44
  (SO 4911) 185010  

Spanish Odeon, Barcelona, 24 December 1928

  With piano  
16. Cançó d’un doble amor (Marqués; Carner) [text] 2:29
  with Antonio Marqués, piano
(SO 5055) 185011
 
17. Rosa (Pahissa; Pahissa) 1:37
  with Ramón Pahissa, piano
(SO 5056) 185012
 
18. Cançó de l’amor que passa (Toldrá; Garcés) [text] 3:07
  with Eduardo Toldrá, piano
(SO 5059) 185011
 
  CANCIONES POPULARES ESPAÑOLES: (Traditional: Arranged: de Falla)  
  with Frank Marshall, piano  
19. I. El paño moruno [text] 1:28
  (SO 5057) 185013  
20. II. Seguidilla murciana [text] 1:25
  (SO 5058) 185013  
21. VI. Canción [text] 1:25
  (SO 5060) 185012  

CD 1: Languages: Italian [1-10]; Catalan [11-12, 18-19]; Spanish [13-17]

CD 2: Languages: Catalan [1-2, 16-18]; Spanish [3, 12-15, 19-21]; Italian [4-9]; Galician [10-11]

 


Producers: Scott Kessler and Ward Marston

Audio Conservation: Ward Marston

Photographs: Girvice Archer, Gregor Benko, and Charles Mintzer

Booklet Design: Takeshi Takahashi

Marston would like to thank Roger Beardsley, Richard Bebb, Samuel Bolshoi, César A. Dillon, Lawrence F. Holdridge, David Mason, and Rudi Sazunic.

Song texts were graciously provided through the proficient and tireless efforts of César Dillon.

Where available, texts can be found by clicking the link “[text]” following selected titles above.

For additional discographic information see British Institute of Recorded Sound Bulletin, No. 4 (Spring, 1957). Conchita Supervia Discography by Harold M. Barnes.