CD1 (79:47) | ||
GRAMOPHONE AND TYPEWRITER LIMITED Milan, October 1903 | ||
1. | GERMANIA: Studenti, udite (Franchetti) | 2:05 |
(Con 133R) 52735 | ||
2. | AIDA: Celeste Aida (Verdi) | 3:41 |
(Con 520R) 052007 | ||
3. | MEISTERSINGER: Dall’alba tinto1 (Morgenlich leuchtend) (Wagner) | 3:35 |
(Con 521R) 052008 | ||
4. | DIE WALKÜRE: Cede il verno ai rai (Winterstürme) (Wagner) | 3:26 |
(Con 522R) 052013 | ||
5. | LOHENGRIN: Ben altra prova (Höchstes Vertrau’n) (Wagner) | 3:49 |
(Con 529R) 052001 | ||
6. | LOHENGRIN: Da voi lontan (In fernem Land) (Wagner) | 3:00 |
(Con 531R) 052002 | ||
7. | LOHENGRIN: S’ei torna alfin (Mein lieber Schwan!) | 3:05 |
{Second part only} (Wagner) (Con 527R) 052005 | ||
8. | L’AFRICAINE: O paradiso (Meyerbeer) | 3:32 |
(Con 532R) 052004 | ||
FONOTIPIA 1905-1913 | ||
9. | AIDA: Celeste Aida (Verdi) | 3:33 |
ca. 20 February 1905; (XPh 161) 39136 | ||
10. | Donna Clara (Gastaldon) | 3:20 |
ca. 20 February 1905; (XPh 163) 39137 | ||
11. | Mi niña (Guetary) | 3:07 |
ca. 20 February 1905; (XPh 164) 39122 | ||
12. | La partida (Álvarez) | 3:35 |
ca. 20 February 1905; (XPh 165) 39123 | ||
13. | L’AFRICAINE: O paradiso (Meyerbeer) | 3:33 |
ca. 20 February 1905; (XPh 170) 39134 | ||
14. | Se ti dicessi (Amadei) | 2:19 |
ca. 20 February 1905; (XPh 181) 39135 | ||
15. | LORENZA: Ecco mia giovinezza2 (Mascheroni) | 2:38 |
ca. 20 February 1905; (XPh 182) 39131 | ||
16. | LOHENGRIN: Di’, non t’incantan (Atmest du nicht mit mir) (Wagner) | 2:42 |
28 September 1906; (XPh 2080) 39853 | ||
17. | LOHENGRIN: Da voi lontan (In fernem Land) (Wagner) | 4:32 |
29 September 1906; (XXPh 2093)3 74019 | ||
18. | LOHENGRIN: Cigno fedel (Mein lieber Schwan!){First half only} (Wagner) | 2:32 |
2 October 1906; (XPh 2104) 39806 | ||
19. | LUCREZIA BORGIA: Di pescator ignobile (Donizetti) | 2:33 |
13 May 1907; (XPh 2643) 39854 | ||
20. | A Granada (Álvarez) | 3:18 |
27 September 1906; (XPh 2069) 39814 | ||
21. | Un pleito (Gaztambide) | 2:40 |
28 September 1906; (XPh 2082) 39813 | ||
22. | Maria (Guetary) | 3:07 |
29 September 1906; (XPh 2091) 39794 | ||
23. | La partida (Álvarez) | 3:47 |
1 October 1906; (XPh 2100) 39123 | ||
24. | Mi niña (Guetary) | 3:09 |
1 October 1906; (XPh 2101) 39122 | ||
25. | LE PROPHÈTE: Sopra Berta (Pour Bertha) (Meyerbeer) | 2:00 |
1 October 1906; (XPh 2102) 39805 | ||
| ||
CD 2 (78:01) | ||
1. | LUCREZIA BORGIA: Di pescator ignobile (Donizetti) | 2:33 |
13 May 1907; (XPh 2643) 39854 | ||
2. | UN BALLO IN MASCHERA: Ma se m’è forza perderti (Verdi) | 2:53 |
13 May 1907; (XPh 2644) 62083 | ||
3. | OTELLO: Ora e per sempre (Verdi) | 2:27 |
13 May 1907; (XPh 2645) 62082 | ||
4. | Lily (Guetary) | 2:07 |
13 May 1907; (XPh 2646) 62084 | ||
5. | CARMEN: Il fior che avevi a me tu dato (La fleur que tu m’avais jetée) (Bizet) | 3:11 |
13 May 1907; (XPh 2650) 62805 | ||
6. | MEISTERSINGER: Nel verno al piè (Am stillen Herd in Winterszeit) (Wagner) | 2:34 |
10 November 1908; (XPh 3616) 92338 | ||
7. | MEISTERSINGER: Dall’alba tinto1 (Morgenlich leuchtend){Abridged} (Wagner) | 2:38 |
10 November 1908; (XPh 3617) 92339 | ||
8. | LOHENGRIN: Di’, non t’incantan (Atmest du nicht mit mir) (Wagner) | 2:45 |
11 November 1908; (XPh 3618) 92340 | ||
9. | LOHENGRIN: Ben altra prova (Höchstes Vertrau’n) (Wagner) | 3:24 |
11 November 1908; (XPh 3619) 92341 | ||
10. | LOHENGRIN: Da voi lontan (In fernem Land) (Wagner) | 4:40 |
11 November 1908; (XXPh 3620) 74124 | ||
11. | LOHENGRIN: Cigno fedel (Mein lieber Schwan!) (Wagner) | 5:51 |
11 November 1908; (XPh 3622, XPh 3623) 92342, 92343 | ||
12. | AIDA: Celeste Aida (Verdi) | 3:42 |
11 November 1908; (XPh 3624) 92344 | ||
13. | L’AFRICAINE: O paradiso (Meyerbeer) | 3:38 |
12 November 1908; (XPh 3626) 92345 | ||
14. | DIE WALKÜRE: Cede il verno ai rai (Winterstürme) (Wagner) | 2:52 |
12 November 1908; (XPh 3627) 92351 | ||
15. | LE PROPHÈTE: Sopra Berta (Pour Bertha) (Meyerbeer) | 1:56 |
13 November 1908; (XPh 3630) 92349 | ||
16. | LA GIOCONDA: Cielo e mar (Ponchielli) | 2:43 |
13 November 1908; (XPh 3631) 92348 | ||
17. | GERMANIA: Studenti, udite (Franchetti) | 2:23 |
13 November 1908; (XPh 3632) 92346 | ||
18. | AIDA: Pur ti riveggo…Fuggiam gli ardori (Verdi) | 7:57 |
with Esther Mazzoleni, soprano
14 November 1908; (XXPh 3637, XXPh 3638) 74117, 74118 |
||
19. | OTELLO: Ora e per sempre (Verdi) | 2:29 |
14 November 1908; (XPh 3639) 92350 | ||
20. | CARMEN: Il fior che avevi a me tu dato (La fleur que tu m’avais jetée) (Bizet) | 3:17 |
14 November 1908; (XPh 3640) 92947 | ||
21. | GERMANIA: No non chiuder gli occhi vaghi (Franchetti) | 2:10 |
14 November 1908; (XPh 3641) 92347 | ||
22. | MEISTERSINGER: Dall’alba tinto1 (Morgenlich leuchtend) (Wagner) | 3:43 |
16 November 1908; (XXPh 3646) 74123 | ||
23. | MEFISTOFELE: Dai campi, dai prati (Boito) | 2:37 |
ca. September 1911, Barcelona; (XPh 4765) 92877 | ||
24. | MEFISTOFELE: Giunto sul passo estremo (Boito) | 3:18 |
ca. September 1911, Barcelona; (XPh 4760) 92878 | ||
| ||
CD 3 (79:15) | ||
1. | LA GIOCONDA: Cielo e mar (Ponchielli) | 2:47 |
ca. September 1911, Barcelona; (XPh 4764) 92948 | ||
2. | TANNHÄUSER: Inno a Venere…Te vò lodar (Dir töne Lob!) (Wagner) | 1:57 |
ca. September 1911, Barcelona; (XPh 4766) 92897 | ||
3. | TANNHÄUSER: Col cor contrito (Inbrunst im Herzen) [Romerzählung] (Wagner) | 9:22 |
ca. September 1911, Barcelona; (XPh 4767, XPh 4768, XPh 4769) 92898, 92899, 92900 | ||
4. | In riva al mare (Filiasi) “dedicated to the celebrated artist by the composer” | 3:02 |
3 October 1912; (XPh 4900) 69123 | ||
5. | O primavera (Tirindelli) | 2:53 |
3 October 1912; (XPh 4901) 69122 | ||
6. | RIENZI: O Padre Santo (Allmächt’ger Vater) (Wagner) | 6:22 |
3 October 1912; (XPh 4902, XPh 4903) 69093, 69094 | ||
7. | TANNHÄUSER: Lodar tu devi il Dio (Den Gott der Liebe sollst du preisen) (Wagner) | 2:36 |
with Maria Alessandrovich, soprano
3 October 1912; (XPh 4906) 69096 |
||
8. | TANNHÄUSER: Preghiera (Auch ich darf ... Zum Heil den Sündigen zu führen) (Wagner) | 3:13 |
3 October 1912; (XPh 4907) 69095 | ||
9. | TRISTAN UND ISOLDE: Su noi discendi (O sink’ hernieder) (Wagner) | 5:06 |
with Maria Alessandrovich, soprano
3 October 1912; (XPh 4911, XPh 4912 ) 69097, 69098 |
||
10. | PARSIFAL: Amfortas! La piaga! (Amfortas! Die Wunde!) (Wagner) | 8:44 |
3 October 1912; (XPh 4909, XPh 4904, XPh 4905) 69087, 69088, 69089 | ||
11. | PARSIFAL: Sii salvo, assolto (Sei heil, entsündigt und entsühnt) (Wagner) | 3:06 |
3 October 1912; (XPh 4908) 69090 | ||
12. | L’AFRICAINE: O paradiso (Meyerbeer) | 3:02 |
3 October 1912; (XPh 4913) 69121 | ||
13. | El lucero del Alba (F. Caballero) | 3:10 |
3 October 1912; (XPh 4914) 69127 | ||
14. | Ensayo de Lios (Cotò) | 3:26 |
3 October 1912; (XPh 4915) 69128 | ||
15. | Los ojos negros (Álverez) | 3:08 |
3 October 1912; (XPh 4916) 69129 | ||
16. | El milagro de la Virgen (Chapí) | 3:11 |
3 October 1912; (XPh 4917) 69130 | ||
17. | Serenata (Mascagni) | 3:23 |
3 October 1912; (XPh 4918) 69124 | ||
18. | DER FREISCHÜTZ: No, più soffrir… La finestra s’apre (Nein, länger trag’ ich nicht die Qualen… Jetzt ist wohl ihr Fenster offen) (Weber) | 6:12 |
3 October 1912; (XPh 4919, XPh 4951) 69125, 69126 | ||
19. | LOHENGRIN: Da voi lontan (In fernem Land) (Wagner) | 4:47 |
29 September 1906; (XXPh 2093)3 74019 | ||
| ||
CD 1: | ||
CD 2: | ||
CD 3: |
Producer: Ward Marston
Audio Conservation: Ward Marston / Audio Assistance: J. Richard Harris
Photographs: Girvice Archer and Charles Mintzer
Booklet Design: Takeshi Takahashi
Marston would like to thank Stephen R. Clarke, David Contini, Ramona Fasio, J. Neil Forster, Norbeck, Peters and Ford, The Estate of John Stratton, and Robert Tuggle for their help in the production of this CD release.
The following selections are re-recorded from copies in the collection of Marco Contini:
CD 1: Track [19]; CD 3: Track [19]
The following selections are re-recorded from copies in the collection of the Estate of Sir Paul Getty:
CD 1: Tracks [2-4]; CD 2: Tracks [19-20]; CD 3: Track [1]
The following selections are re-recorded from copies in the collection of Lawrence Holdridge:
CD 2: Tracks [23-24]; CD 3: Tracks [2-3, 7-8, 13-16]
The following selections are re-recorded from copies in the collection of Mr. and Mrs. Laurence C. Witten II in the Yale Collection of Historical Sound Recordings, Yale University Library:
CD 1: Tracks [1, 5-8, 11-12, 16-17, 18, 20-21]; CD 2: Tracks [1, 3, 8-9, 11]; CD 3: Tracks [4, 17]
The following selection is re-recorded from a copy in the collection of Robert Ziering:
CD 3: Track [18]
Discographic material was provided by:
“The Recordings of Francisco Viñas” from the Record Collector, Vol. 34, Nos. 5,6,7, by Larry Lustig and Clifford Williams, July 1989, pgs. 133-138
The Fontipia Catalogue 1904-1939, CD ROM, published by Historic Masters, Ltd.
Fonotipia Recordings—A Centennial Survey, by Michael E. Henstock, published by author, pg. 374
1 The labels for all of Viñas’s recordings of this aria read “Dall’alba tinto” but Viñas actually sings “Dell’alba tinta”
2 The opening words as given in the score are “E tu, mia giovinezza” and yet, it sounds as if Viñas is singing “Ecco mia giovinezza” as printed on the record label.
3 An alternative take of matrix XXPh 2093 was discovered just prior to production; neither record bears a take number.
The Complete Francisco Viñas
Viñas possessed a powerful, heroic-tenor voice that was beautifully focused with great warmth, which made him well suited for a wide range of roles including Wagner in Italian. Viñas (1863–1933) began his studies at the Conservatory in Barcelona, where he made his debut in 1888. He quickly rose to great success in Italy and soon was engaged at opera houses around the world. He was especially loved at La Scala and was a popular member of the Metropolitan Opera from 1893–1897. This three CD set is the first complete Viñas edition ever assembled including some extremely rare Fonotipia titles. This set reveals a beautiful voice and consummate musician who was often referred to as the successor to the great Spanish tenor Julien Gayarré.