CD 1 (73:09) | ||
CARMEN (Georges Bizet) Libretto by Henri Meilhac and Ludovic Halévy | ||
French Odeon, Paris, 10 July 1930 and 24 April 1931With orchestra, conducted by Gustave Cloëz | ||
1. | L’amour est un oiseau rebelle [Habanera] | 4:16 |
24 April 1931; (XXP7267-1) 123773 | ||
2. | Près de remparts de Séville [Séguedille] | 4:11 |
with Gaston Micheletti, tenor
10 July 1930; (XXP7098-1) 123714 |
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3. | Les tringles des sistres tintaient [Chanson bohème] | 3:19 |
10 July 1930; (XXP7099-2) 123714 | ||
4. | Attends un peu, Carmen | 4:13 |
with Gaston Micheletti, tenor
24 April 1930; (XXP7266-1) 123772 |
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5. | La fleur que tu m’avais jetée | 3:26 |
solo by Gaston Micheletti, tenor
24 May 1929; (XXP6900-1) 123772 |
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6. | Non tu ne m’aimes pas | 4:08 |
with Gaston Micheletti, tenor
24 April 1931; (XXP7265-2) 123773 |
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7. | Mêlons! Mêlons, coupons! | 3:59 |
with Andrée Vavon and Andrée Bernadet, sopranos
10 July 1930; (XXP7100-2) 123713 |
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8. | En vain pour éviter [Scène des cartes] | 2:57 |
with Andrée Vavon and Andrée Bernadet, sopranos
10 July 1930; (XXP7101-2) 123713 |
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9. | C’est toi, c’est moi! | 3:46 |
with Gaston Micheletti, tenor
24 April 1931; (XXP7263-1) 123774 |
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10. | Mais moi, Carmen je t’aime encore [Finale, Act 4] | 4:25 |
with Gaston Micheletti, tenor
24 April 1931; (XXP7264-1) 123774 |
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Spanish Odeon, Barcelona, 24 October 1930With orchestra, conducted by Antonio Capdevila | ||
11. | La paloma (Sebastian de Yradier) | 3:31 |
(SO6679-1) 184235 | ||
Spanish Odeon, Barcelona, 24 February 1931With piano, Alejandro Vilalta | ||
12. | Serranilla [Canción Montañesa] (Rodrigo; de Santillana) | 2:24 |
(SO6934-1) 184246 | ||
13. | Cançó de Maria (Lamotte de Grignon) | 2:43 |
(SO6935-1) 184229 | ||
14. | Els cants dels ocells (Traditional; Arranged by Joaquín Nin) | 3:25 |
(SO6936-1) 184229 | ||
15. | L’Hora grisa (Federico Mompou; Manuel Blancafort) | 2:42 |
(SO6937-1) 184251 | ||
Spanish Odeon, Barcelona, 25 February 1931With piano, Alejandro Vilalta | ||
16. | El paño murciano (Traditional; Arranged by Joaquín Nin) | 1:28 |
(SO6943) 184246 | ||
17. | El vito (Traditional; Arranged by Joaquín Nin) | 1:40 |
(SO6943) 184246 | ||
French Odeon, Paris, 25 April 1931With orchestra | ||
18. | EL HUÉSPED DEL SEVILLANO: Las lagarteranas (E. Reoyo; J. Guerrero and L. de Tena) | 2:35 |
(Ki4396-2) 188809 | ||
19. | El relicario (J. Padilla; Oliveros and Castellvi) | 3:04 |
(Ki4397-2) 188809 | ||
20. | Clavelitos (Joaquín Valverde; José Juan Cadenas) [text] | 2:08 |
(Ki4398-2) 195102 | ||
21. | ¡Ay! ¡Ay! ¡Ay! (Osmán Pérez-Freire) | 3:01 |
(Ki4399-1) 195102 | ||
22. | ¡Ay! ¡Ay! ¡Ay! (Osmán Pérez-Freire) | 3:09 |
(Ki4399-3) RO20165 | ||
23. | Ave Maria (Bach; Gounod) | 2:28 |
(Ki4400-2) PO51 | ||
CD 2 (79:40) | ||
French Odeon, Paris, 24 October 1931With orchestra, conducted by Gustave Cloëz | ||
1. | WERTHER: Va, laisse couler mes larmes [Air des larmes] (Massenet) | 2:31 |
(Ki4896-1) unpublished on 78 rpm Transposed down a semi-tone |
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2. | FAUST: Faites-lui mes aveux (Gounod) | 3:08 |
(Ki4897-2) RO20180 | ||
3. | LA BOHÈME: D’un pas léger [Quando me’n vo’soletta] (Puccini) | 2:39 |
(Ki4898-2) RO20180 Transposed down a whole tone. |
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4. | MIGNON: Connais-tu le pays? (Thomas) | 4:26 |
(XXP7311-2) 121165 | ||
5. | SAMSON ET DALILA: Printemps qui commence (Saint-Saëns) | 4:23 |
(XXP7312-1) 121165 | ||
6. | FAUST: Il était un roi de Thulé (Gounod) | 3:35 |
(XXP7313-2) Historic Masters HMB11 | ||
French Odeon, Paris, 26 October 1931With orchestra, conducted by Paul Minssart | ||
7. | LA DAMNATION DE FAUST: Autrefois un roi de Thulé (Berlioz) | 4:26 |
(XXP7314-1) Historic Masters HMB11 | ||
8. | Rey y señor (Joaquim Zamacois; Pedro Poch) | 3:29 |
(XXP7315-2) 121163 | ||
9. | La partida (F. M. Álvarez; E. Blasco) | 4:18 |
(XXP7316-2) 121163 | ||
French Odeon, Paris, 30 October 1931With orchestra, conducted by Paul Minssart | ||
10. | Santa Lucia (Cottrau; Traditional) | 2:56 |
(Ki4919-1) 184284 | ||
11. | Mi viejo amor (Alfonso Esperanza Oteo) | 3:03 |
(Ki4920-2) 184284 | ||
12. | Porque me besó (Pascual Godes; G. Alcazar) | 3:09 |
(Ki4921-1) 184276 | ||
13. | La pastora (Murillo; Miranda) | 3:00 |
(Ki4922-2) 184303 | ||
French Odeon, Paris, 31 November 1931With orchestra, conducted by Paul Minssart | ||
14. | Flor y luz (Pedro Puche; Juan Dotras Vila) | 2:27 |
(Ki4928-1) 184276 | ||
15. | La primavera (from SONGS WITHOUT WORDS, No. 30, op. 62, no. 6) (Mendelssohn; Miranda) | 2:42 |
(Ki4929-2) 184271 | ||
English Parlophone, London, 17 March 1932With piano, Ivor Newton | ||
16. | Should he upbraid (Bishop; adapted from Shakespeare) | 3:35 |
(LO3003-1) RO20186 | ||
17. | Oh no, John (Traditional; Arranged by Cecil Sharp) | 2:32 |
(LO3004-1) RO20193 | ||
18. | So sweet is she (“Have you seen but a whyte lillie grow?”) (Ferrabosco, arr. Dolmetsch; Ben Johnson) | 2:26 |
(LO3005-2) RO20193 | ||
19. | When I bring to you color’d toys [No. 1 from the opera GITANJALI] (John Alden Carpenter; Rabindranath Tagore) | 2:40 |
(LO3006-2) Historic Masters HMA1 | ||
20. | Lullaby, op. 57, no. 2 (Cyril Scott; C. Rossetti) | 2:11 |
(LO3007-2) Historic Masters HMA1 | ||
21. | A lesson with the fan (Guy D’Hardelot; F. E. Weatherly) | 3:31 |
(LO3008-2) RO20186 | ||
Spanish Odeon, Barcelona, 21 May 1932With piano, Pedro Vallribera | ||
22. | Flecha (Manén; Luis Doreste) | 3:27 |
(SO7697-1) 184342 | ||
23. | La noia bonica (F. Longás; Ignacio Iglesias) | 2:31 |
(SO7698-1) 184301 | ||
24. | Soleá (Modesto Pomero; F. Prado) | 3:26 |
(SO7699-1) 184315 | ||
25. | Háblame de amores (Esteban Fusté; Franco de Rioja) | 2:51 |
(SO7700-1) 184286 | ||
CD 1: | ||
CD 2: |
Producer: Scott Kessler and Ward Marston
Audio Conservation: Ward Marston
Audio Assistance: J. Richard Harris
Photographs: Girvice Archer, Gregor Benko, César A. Dillon, and Charles Mintzer
Booklet Design: Takeshi Takahashi
Marston would like to thank Bill Breslin, César A. Dillon, Lawrence F. Holdridge, David Mason, Rudi Sazunic, and Vera Wilson.
This set is dedicated to the memory of George Fraser.
For additional discographic information see British Institute of Recorded Sound Bulletin, No. 4 (Spring, 1957), Conchita Supervia Discography by Harold M. Barnes.
The Complete Conchita Supervia: vol. 3
Conchita Supervia is one of the most sought-after singers among the serious record collectors. In fact, she is as close to a cult-figure as it gets with the shellac-set. Supervia recorded over 200 sides for Odeon and later, several sides for Ultraphone. Although many of these records are common, many were only issued in Spain and are extremely scarce. What makes Supervia so well liked is the unique timbre of her voice that is immediately recognizable. Whether singing La cenerentola, Carmen, or the vast number of unusual Spanish songs, Conchita Supervia is amazing. This two-CD set, the third of five volumes, will span from 1930–1932 and will include her French language recordings from Carmen, an unpublised recording of “Air des larmes” from Werther, as well as her six Parlophone recordings of English songs.