CD 1 (79:58) | ||
FRANCES ALDA [so] | ||
1. | Morgen!, Op. 27, No. 4 | 3:30 |
with Gutia Casini, cello and Frank La Forge, piano 7 April 1913, Camden, New Jersey; (B-13085) Victor 64339 | ||
ROSETTE ANDAY [ms] | ||
2. | Befreit, Op. 39, No. 4 | 4:32 |
with Franz Rupp, piano September 1928, Berlin; (DGG 1243 bm1) 95165 | ||
PETER ANDERS [te] | ||
3. | Ich trage meine Minne, Op. 32, No. 1 | 2:29 |
with orchestra; Walter Lutze, conductor 15 September 1938, Berlin; (Telefunken 23458) A 2782 | ||
GIUSEPPE ANSELMI [te] | ||
4. | Die Nacht, Op. 10, No. 3 (La notte) | 2:27 |
with Angelo Bettenelli, piano 17 January 1910, Milan; (Fonotipia xPh 4254) 62437 | ||
KATHERINE ARKANDY [so] | ||
5. | Amor, Op. 68, No. 5 | 2:44 |
with Bruno Seidler-Winkler, piano* December 1922, Berlin; (DGG 1024 as) 65698 | ||
FLORENCE AUSTRAL [so] | ||
6. | Cäcilie, Op. 27, No. 2 | 1:59 |
with Percy Kahn, piano 28 September 1927, London; (HMV Bb 11640-1) E 491 | ||
ERNA BERGER [so] | ||
7. | Als mir dein Lied erklang, Op. 68, No. 4 | 3:45 |
with Michael Raucheisen, piano 6 October 1944, Berlin; radio studio recording | ||
EMMY BETTENDORF [so] | ||
8. | Wiegenlied, Op. 41, No. 1 | 3:49 |
with Michael Raucheisen, piano 13 April 1937, Berlin; (Odeon xxb 8610) O-7962 | ||
DAVID BISPHAM [ba] | ||
9. | Ich trage meine Minne, Op. 32, No. 1 (To none will I e’er my love discover) | 2:37 |
with piano 20 August 1903, London; (G&T 4101 b) 2-2979 | ||
JUSSI BJÖRLING [te] | ||
10. | Cäcilie, Op. 27, No. 2 | 1:59 |
with Harry Ebert, piano 15 July 1939, Stockholm; (HMV 0SB 986-3) DA 1704 | ||
11. | Morgen!, Op. 27, No. 4 | 3:27 |
with Harry Ebert, piano 15 July 1939, Stockholm; (HMV 0SB 985-3) DA 1704 | ||
ANTON DERMOTA [te] | ||
12. | Breit’ über mein Haupt, Op. 19, No. 2 | 1:31 |
with Richard Strauss, piano 25 April 1942, Vienna; radio studio recording | ||
CLAIRE DUX [so] | ||
13. | Morgen!, Op. 27, No. 4 | 3:37 |
with Fredric Fradkin, violin and Frederic Persson, piano early October 1922, New York; (Brunswick 8814) 15027-A | ||
FLORENCE EASTON [so] | ||
14. | Ich schwebe, Op. 48, No. 2 | 1:39 |
with Lester Hodges, piano 14 July 1939, New York City recital; IRCC 70 | ||
CLOE ELMO [ms] | ||
15. | Ständchen, Op. 17, No. 2 (Serenata) | 2:54 |
with Mario Salerno, piano 8 May 1942, Turin; (Cetra 2-70713) AB-30001 | ||
ERNESTINE FÄRBER-STRASSER [con]\t | ||
16. | Wiegenliedchen, Op. 49, No. 3 | 2:19 |
with Bruno Seidler-Winkler, piano* Autumn 1921, Berlin; (DGG 1228 ar) 62381 | ||
ELISE FEINHALS [con] | ||
17. | Ruhe, meine Seele, Op. 27, No. 1 | 2:11 |
with piano 1901, Hamburg; (G&T 672g) 43060 | ||
KIRSTEN FLAGSTAD [so] | ||
18. | Ach, Lieb’, ich muss nun scheiden, Op. 21, No. 3 | 2:29 |
with Edwin McArthur, piano 25 July 1936, Copenhagen; (HMV 2CS 386) published only on Historic Masters HM 175 | ||
19. | Zueignung, Op. 10, No. 1 | 1:53 |
with Edwin McArthur, piano 25 July 1936, Copenhagen; (HMV 2CS 386) published only on Historic Masters HM 175 | ||
ELENA GERHARDT [ms] | ||
20. | Wiegenlied, Op. 41, No. 1 | 3:59 |
with Arthur Nikisch, piano 30 June 1911, London; (HMV 5114 f) 043198 | ||
DUSOLINA GIANNINI [so] | ||
21. | Heimliche Aufforderung, Op. 27, No. 3 | 3:12 |
with Michael Raucheisen, piano 24 March 1933, Berlin; (HMV 0D 1531) DA 1319 | ||
22. | Ständchen, Op. 17, No. 2 | 2:34 |
with Michael Raucheisen, piano 24 March 1933, Berlin; (HMV 0D 1532) DA 1319 | ||
KARL HAMMES [ba] | ||
23. | Liebeshymnus, Op. 32, No. 3 | 2:13 |
with Bruno Seidler-Winkler, piano March 1937, Berlin; (HMV ORA 1886) EG 3953 | ||
FRIEDA HEMPEL [so] | ||
24. | Ständchen, Op. 17, No. 2 | 2:29 |
with orchestra Autumn 1921, Berlin; (DGG 334 av) 85296 | ||
HEINRICH HENSEL [te] | ||
25. | Heimliche Aufforderung, Op. 27, No. 3 | 2:58 |
with Bruno Seidler-Winkler, piano* 3 August 1910, Berlin; (HMV 11082 L) 4-42466 | ||
GERHARD HÜSCH [ba] | ||
26. | Zueignung, Op. 10, No. 1 | 2:04 |
with orchestra; Otto Dobrindt, conductor 18 May 1934, Berlin; (HMV OD 2091-1) EG 3056 | ||
ROBERT HUTT [te] | ||
27. | Breit’ über mein Haupt, Op. 19, No. 2 | 2:03 |
with Richard Strauss, piano Autumn 1920, Berlin; (DGG 19248 L) 62363 | ||
28. | Morgen!, Op. 27, No. 4 | 3:21 |
with Richard Strauss, piano Autumn 1920, Berlin; (DGG 19249 L) 62363 | ||
HERMANN JADLOWKER [te] | ||
29. | Winterweihe, Op. 48, No. 4 | 3:09 |
with Bruno Seidler-Winkler, piano* April 1921, Berlin; (DGG 388 as) 72768 | ||
CD 2 (77:35) | ||
HERBERT JANSSEN [ba] | ||
1. | Die Nacht, Op. 10, No. 3 | 2:24 |
with Gerald Moore, piano 15 June 1937, London; (HMV 0EA 4973-1) DA 1581 | ||
2. | Hymnus, Op. 33, No. 3 | 4:42 |
with orchestra unidentified broadcast; issued on Eterna 10 inch LP 759 | ||
3. | Pilgers Morgenlied, Op. 33, No. 4 | 3:42 |
with orchestra unidentified broadcast; issued on Eterna 10 inch LP 759 | ||
SABINE KALTER [ms] | ||
4. | Allerseelen, Op. 10, No. 8 | 3:07 |
with Gerald Moore, piano 23 June 1936, London; (HMV 2EA 3723-1) unpublished | ||
ALEXANDER KIPNIS [bs] | ||
5. | Traum durch die Dämmerung, Op. 29, No. 1 | 3:04 |
with Arthur Burgh, piano 23 October 1929, New York; (Columbia W-149173) 2088M | ||
MARGARETE KLOSE [ms] | ||
6. | Befreit, Op. 39, No. 4 | 4:22 |
with Michael Raucheisen, piano Spring 1943, Berlin; (DGG 2310-2 ge9) 68124A | ||
HILDE KONETZNI [so] | ||
7. | Schlechtes Wetter, Op. 69, No. 5 | 2:17 |
with Richard Strauss, piano 7 April 1943, Vienna; radio studio recording | ||
SELMA KURZ [so] | ||
8. | Ständchen, Op. 17, No. 2 | 2:36 |
with Harold Craxton, piano 25 June 1924, London; (HMV Bb4771) DA 632 | ||
LOTTE LEHMANN [so] | ||
9. | Mit deinen blauen Augen, Op. 56, No. 4 | 2:42 |
with piano and violin 3 September 1928, Berlin; (Odeon Be 7183) O-4846 | ||
EMMI LEISNER [ms] | ||
10. | Wiegenlied, Op. 41, No. 1 | 3:48 |
with orchestra, Alois Melichar, conductor January 1933, Berlin; (DGG 640 be8) 27326 | ||
JOHN MCCORMACK [te] | ||
11. | Du meines Herzens Krönelein, Op. 21, No. 2 | 2:25 |
with Edwin Schneider, piano 1 September 1927, London; (HMV Bb 11338-2) DA 932 | ||
12. | Allerseelen, Op. 10, No. 8 | 2:54 |
with Edwin Schneider, piano 1 September 1927, London; (HMV Bb 11339-2) DA 932 | ||
HEDDLE NASH [te] | ||
13. | Ständchen, Op. 17, No. 2 (Serenade) | 2:15 |
with Gerald Moore, piano 7 March 1945, London; (HMV 0EA 10428-1) B 9412 | ||
MARGARETHE OBER [con] | ||
14. | Mit deinen blauen Augen, Op. 56, No. 4 | 2:06 |
with Arthur Arndt, piano 22 April 1914, Camden, New Jersey; (Victor B-14745-1) 64447 | ||
MARIA OLSZEWSKA [con] | ||
15. | Ruhe, meine Seele, Op. 27, No. 1 | 3:17 |
with Bruno Seidler-Winkler, piano* Summer 1922, Berlin; (DGG 819 at) 70651 | ||
JULIUS PATZAK [te] | ||
16. | Heimliche Aufforderung, Op. 27, No. 3 | 3:01 |
with orchestra; Richard Strauss, conductor September 1944, Vienna; radio studio recording | ||
ROSE PAULY [so] | ||
17. | Verführung, Op. 33, No. 1 | 7:15 |
with orchestra; John Barbirolli, conductor 27 February 1938, New York; broadcast, first issued on IRCC LP L-7018 | ||
18. | Gesang der Apollopriesterin, Op. 33, No. 2 | 6:06 |
with orchestra; John Barbirolli, conductor 27 February 1938, New York; broadcast, first issued on IRCC LP L-7018 | ||
LEA PILTTI [so] | ||
19. | Kling!, Op. 48, No. 3 | 1:31 |
with Richard Strauss, piano 1 May 1942, Vienna; radio studio recording | ||
ALFRED POELL [ba] | ||
20. | Wozu noch, Mädchen, Op. 19, No. 1 | 1:43 |
with Richard Strauss, piano 3 April 1943, Vienna; radio studio recording | ||
ELISABETH RETHBERG [so] | ||
21. | Freundliche Vision, Op. 48, No. 1 | 3:56 |
with Max Jaffé, piano 4 August 1921, Berlin; (Odeon xxB 6640) 76229 | ||
MARCELLA ROESELER [so] | ||
22. | Einerlei, Op. 69, No. 3 | 2:04 |
with piano Autumn 1925, Berlin; (DGG 140 bg) 62525 | ||
HELGE ROSWAENGE [te] | ||
23. | Ach, Lieb’, ich muss nun scheiden, Op. 21, No. 3 | 2:27 |
with Bruno Seidler-Winkler, piano 17 March 1936, Berlin; (HMV 0RA 1135) DA 4412 | ||
LOTTE SCHLOSS [so] | ||
24. | Ständchen, Op. 17, No. 2 | 1:50 |
with piano 1901, Hamburg; (G&T 668 g) 43056 | ||
25. | Morgen!, Op. 27, No. 4 | 2:01 |
with piano 1901, Hamburg; (G&T 669 g) 43057 | ||
CD 3 (77:53) | ||
HEINRICH SCHLUSNUS [ba] | ||
1. | Zueignung, Op. 10, No. 1 | 1:45 |
with Richard Strauss, piano Summer 1920, Berlin; (DGG 14120 r) 62365 | ||
2. | Die Nacht, Op. 10, No. 3 | 2:51 |
with Richard Strauss, piano Summer 1920, Berlin; (DGG 14121 r) 62366 | ||
3. | Heimkehr, Op. 15, No. 5 | 2:39 |
with Richard Strauss, piano Spring 1920, Berlin; (DGG 14102 r) 62634 | ||
4. | Das Geheimnis, Op. 17, No. 3 | 2:22 |
with Richard Strauss, piano Summer 1920, Berlin; (DGG 14125 r) 62366 | ||
5. | Ruhe, meine Seele, Op. 27, No. 1 | 3:08 |
with Richard Strauss, piano Spring 1920, Berlin; (DGG 14106 r) 62365 | ||
6. | Ich liebe dich, Op. 37, No. 2 | 2:19 |
with Richard Strauss, piano Spring 1920, Berlin; (DGG 14105 r) 62364 | ||
7. | Liebeshymnus, Op. 32, No. 3 | 2:15 |
with orchestra; Gerhard Steeger, conductor Early June 1943, Berlin; (DGG 2233-GS 9) 68131 B | ||
LOTTE SCHÖNE [so] | ||
8. | Schlechtes Wetter, Op. 69, No. 5 | 2:17 |
with Felix Günther, piano 6 May 1924, Berlin; (Odeon xxB 7010-2) 80214 | ||
9. | Ständchen, Op. 17, No. 2 | 2:36 |
with Felix Günther, piano 6 May 1924, Berlin; (Odeon xxB 7011-2) 80215 | ||
FRIEDRICH SCHORR [bs-ba] | ||
10. | Traum durch die Dämmerung, Op. 29, No. 1 | 3:02 |
with Bruno Seidler-Winkler, piano* July 1921, Berlin; (DGG 1113 ar) 62379 | ||
ELISABETH SCHUMANN [so] | ||
11. | Blauer Sommer, Op. 31, No. 1 | 2:26 |
with piano 1 June 1919, Berlin; (Odeon xxB 6428) XX 76750 | ||
12. | All’ mein Gedanken, Op. 21, No. 1 | 1:16 |
with Karl Alwin, piano 6 January 1930, Vienna; (HMV CW 3110-2) EJ 557 | ||
13. | Hat gesagt – bleibt’s nicht dabei, Op. 36, No. 3 | 2:10 |
with Karl Alwin, piano 6 January 1930, Vienna; (HMV CW 3110-2) EJ 557 | ||
14. | Muttertändelei, Op. 43, No. 2 | 2:23 |
with orchestra; Karl Alwin, conductor 15 October 1928, Vienna; (HMV BW 1910) ER 304 | ||
15. | Die heiligen drei Könige, Op. 56, No. 6 | 4:18 |
with orchestra; Karl Alwin, conductor 15 October 1928, Vienna; (HMV CW 1909-2) EJ 432 | ||
ERNESTINE SCHUMANN-HEINK [con] | ||
16. | Traum durch die Dämmerung, Op. 29, No. 1 | 2:42 |
with Katharina Hoffman, piano 5 October 1923, Camden, New Jersey; (Victor B-28636-2) 1045-B | ||
JOSEPH SCHWARZ [ba] | ||
17. | Heimliche Aufforderung, Op. 27, No. 3 | 3:25 |
with Bruno Seidler-Winkler, piano* Spring 1918, Berlin; (DGG 19097 L) 4-42660 | ||
18. | Freundliche Vision, Op. 48, No. 1 | 3:05 |
with Bruno Seidler-Winkler, piano* Spring 1918, Berlin; (DGG 19098 L) 4-42649 | ||
META SEINEMEYER [so] | ||
19. | Traum durch die Dämmerung, Op. 29, No. 1 | 3:04 |
with orchestra; Frieder Weissman, conductor 19 January 1928, Berlin; (Parlophon 2-20578) P9870 | ||
LEO SLEZAK [te] | ||
20. | Ständchen, Op. 17, No. 2 | 2:38 |
with piano April 1905, Vienna; (G&T 6849 b) 3-42298 | ||
21. | Morgen!, Op. 27, No. 4 | 3:21 |
with Michael Raucheisen, piano November 1929, Berlin; (DGG 595 bt6) 23017 | ||
GRETE STÜCKGOLD [so] | ||
22. | Morgen!, Op. 27, No. 4 | 3:34 |
with orchestra April 1921, Berlin; (DGG 354 as) 19234 | ||
RICHARD TAUBER [te] | ||
23. | Freundliche Vision, Op. 48, No. 1 | 3:13 |
with Mischa Spolianski, piano 8 January 1926, Berlin; (Odeon xxB 7409-2) Rxx 80450 | ||
24. | Ständchen, Op. 17, No. 2 | 2:37 |
with orchestra 15 February 1933, Berlin; (Odeon Be 10233-1) 0-4522 | ||
25. | Allerseelen, Op. 10, No. 8 | 3:08 |
with Percy Kahn, piano 28 June 1946, London; (Parlophone CE 11700-1) RO 20555 | ||
26. | Ich trage meine Minne, Op. 32, No. 1 | 2:47 |
with Percy Kahn, piano 28 June 1946, London; (Parlophone CE 11701-1) RO 20555 | ||
VIORICA URSULEAC [so] | ||
27. | Frühlingsfeier, Op. 56, No. 5 (orchestration by Strauss) | 3:15 |
with orchestra; Clemens Krauss, conductor 29 May 1936, Berlin; (DGG 2923-gn 8) this take issued on Brunswick 35032 | ||
MARCEL WITTRISCH [te] | ||
28. | Heimliche Aufforderung, Op. 27, No. 3 | 3:14 |
with orchestra; Erich Orthmann, conductor 21 April 1931, Berlin; (HMV 0D 339-2) EG 3056 | ||
All tracks are sung in German except: Italian [CD 1, Track 4; CD 1, Track 15] English [CD 1, Track 9; CD 2, Track 13] | ||
*Bruno Seidler-Winkler was the music director of the Gramophone Company’s Berlin operation beginning in 1903. After the German branch split from the English company, he continued to work for Deutsche Grammophon until 1923. During these twenty-one years, he served as accompanist and conductor for virtually all of the recordings made by the company in Berlin. It is presumed, therefore, that unless a pianist is otherwise known to have accompanied a particular recording, Bruno Seidler-Winkler is the likely pianist or conductor. |
Producers: Stephen R. Clarke and Ward Marston
Audio conservation: Ward Marston
Audio assistance: J. Richard Harris
Booklet Design: Takeshi Takahashi
The scope of Richard Strauss: Selected Lieder Recordings is such that it not only required the assistance of many specialized collectors and scholars, it also required substantial funding. Therefore, Marston would like to thank the estate of John Stratton, under the guidance of its Trustee, Stephen R. Clarke for its generous contribution.
Photographs: Marston would like to thank Girvice Archer, Gregor Benko, Luc Bourrousse, Harold Bruder, Rudi van den Bulck, the estate of Roger Gross, R. W. Hornbeck, Charles Mintzer, and André Tubeuf.
Original recordings: Marston would like to thank the following for making rare recordings available for the production of this compilation:the Estate of Richard Bebb with help from Alan Bilgora and Owen Williams, Gregor Benko, William Breslin, Peter Chaplin, Herbert Gruy, Dan Hladik, Lawrence F. Holdridge, Peter Lack, Karsten Lehl, and Axel Weggen.
The following selections are re-recorded from copies in the collection of Mr. and Mrs. Laurence C. Witten II in the Yale Collection of Historical Sound Recordings, Yale University Library:
CD 1: Tracks 5 and 16
CD 3: Tracks 8, 9, and 20
Research: Marston would like to extend special thanks to Elizabeth Black, Rudi van den Bulck, Harold Bruder, Lawrence F. Holdridge, and R. W. Hornbeck.
Marston would like to thank Christian Zwarg for providing discographic assistance and Andrew Rose for his help stabilizing the pitch on CD 1, Track 14.
Richard Strauss: Selected Lieder Recordings 1901-1946
Richard Strauss›s (1864–1949) acceptance into the pantheon of great Lieder composers began in the early 1950s, perhaps marked by the enthusiastic reception of his Four Last Songs, premiered by Kirsten Flagstad eight months after Strauss’s death. It wasn’t long before these songs became widely performed, and by extension, his Lieder as a whole, began to gain greater acceptance as high art along with Schubert, Schumann, Brahms, and Wolf. This compilation concentrates on Strauss Lieder recordings from an earlier era that display the sort of vocal charm and straightforward approach to the music not usually heard in today’s style of Lieder singing. Many of these recordings are extremely important historic documents retaining their position as the definitive versions of Strauss Lieder. Some of the singers included here not only knew Strauss, but worked with him, and their recordings could have been heard and judged by him. This three CD-set contains forty songs in eighty-two performances by fifty-seven singers.