CD 1: (77:57) | ||
ROBERT LE DIABLE | ||
Act 1 | ||
1. | Jadis régnait en Normandie | 3:11 |
Émile-Frantz Sardet as Raimbaut; 11 June 1909; GRAMOPHONE (01090v) 032125 | ||
2. | Va, dit-elle, va, mon enfant | 3:09 |
Berthe Auguez de Montalant as Alice; October 1908; GRAMOPHONE (6487h) 33716 | ||
3. | Au tournoi, chevaliers … Ô fortune, à ton caprice [Sicilienne] | 3:17 |
Léon Escalaïs as Robert; Milan, 1 December 1905; FONOTIPIA (XPh 498) 39414 | ||
Act 3 | ||
4. | Du rendezvous … Ah, l’honnête homme! | 2:49 |
Paul Aumonier as Bertram and Jules Gautier as Raimbaut; August 1904; ODEON (XP 876) 33827 | ||
5. | Ah, l’honnête homme! … Le bonheur est dans l’inconstance | 8:10 |
Marcel Journet as Bertram and Edmond Clément as Raimbaut; Camden, New Jersey, 18 January 1912; VICTOR (C-11468-1 / C-11469-1) 76020/76021 | ||
6. | Encore un de gagné [Valse Infernale] | 3:07 |
Juste Nivette as Bertram; ca. 1908; ODEON (XP 3885) 60652 | ||
7. | Oui, j’entends les éclats de leur joie infernale … Noirs démons [Valse Infernale] | 3:50 |
Marcel Journet as Bertram and chorus; ca. 1908; Camden, New Jersey, 19 January 1912; VICTOR (C-11473-2) 74282 | ||
(Chorus sings in Italian) | ||
8. | Quand je quittai la Normandie | 2:26 |
Léonie Tanésy as Alice; ca. 1902; PATHÉ CYLINDER 361 | ||
9. | Des chevaliers de ma patrie (Di mia patria ai cavalieri) | 1:46 |
Antonio Paoli as Robert (Tenor part only of Robert/Bertram duet); sung in Italian; Milan, 15 May 1909; GRAMOPHONE (13258b) 2-52712 | ||
(No existing recording sung in French) | ||
10. | Voici donc les débris … Nonnes qui reposez [Evocation des Nonnes] | 3:55 |
Pol Plançon as Bertram; Camden, New Jersey, August 1908; VICTOR (C-6110-1) 85125 | ||
Act 4 | ||
11. | Robert, Robert, toi que j’aime | 4:06 |
Berthe Auguez de Montalant as Isabelle; October 1908; GRAMOPHONE (854i) 033066 | ||
Act 5 | ||
12. | Malheureux ou coupables [Choeur des Moines] | 3:15 |
Gaston de Poumayrac, tenor; Louis Nansen, tenor; Henri Dangès, baritone; and Hippolyte Belhomme, bass; 1911; PATHÉ 842 | ||
(Sung as a quartet) | ||
LES HUGUENOTS | ||
Act 1 | ||
13. | Sous ce beau ciel | 2:55 |
Mario Corpait as Raoul; 1909; ODEON (XPh 4610) X.97348 | ||
14. | Bonheur de la table | 2:41 |
Henri Sayetta, Bernard Boussagol, Thomas Bonnemoy, Charles Millot, and chorus; 1909; GRAMOPHONE (5544h) 34699 | ||
15. | Ah, quel spectacle enchanteur … Plus blanche que la blanche hermine | 3:39 |
Georges Granal as Raoul; 30 December 1909; GRAMOPHONE (01288 1/2v) 032127 | ||
(Sung in original key of b-flat) | ||
16. | Ah! Viens, divin Luther … Seigneur, rempart et seul soutien [Choral de Luther] | 3:05 |
Paul Aumonier as Marcel; 1910; PATHÉ-APGA P.302 | ||
17. | C’était alors … Piff! Paff! … Pour les couvents, c’est fini | 3:55 |
Marcel Journet as Marcel; Camden, New Jersey, 14 January 1910; VICTOR (C-8552-1) 74156 | ||
18. | Nobles seigneurs, salut! … Une dame noble et sage | 3:23 |
Charlotte Agussol as Urbain; 1906; APGA 1301 | ||
Act 2 | ||
19. | Ô beau pays … A ce mot seul s’anime | 8:23 |
Lily Dupré as Marguerite de Valois; 20 November 1912; GRAMOPHONE (02581v/ 02582v) 033158/033159 | ||
20. | Non, non, non, vous n’avez jamais, je gage [No, no giammai] | 3:06 |
Armida Parsi-Pettinella as Urbain; sung in Italian; Milan, 22 April 1906; FONOTIPIA (XPh1818-2) 39646 | ||
(No existing recording sung in French) | ||
21. | Beauté divine, enchanteresse … Ah, si j’étais coquette | 3:41 |
Agustarello Affre as Raoul and Lise Landouzy as Marguerite de Valois; 1907; ODEON (XP 3682) 56161 | ||
CD 2: (78:01) | ||
Act 3 | ||
1. | Rataplan [Choeur des Soldats] | 3:22 |
Émile-Frantz Sardet and chorus; 14 March 1910; GRAMOPHONE (01356v) 032136 | ||
2. | Rentrez, habitants de Paris [Choeur du couvre-feu] | 1:39 |
Henri Weber as the Night Watchman and chorus; 1904; GRAMOPHONE (4172F) 34633 | ||
3. | Dans la nuit … Ah, l’ingrat d’une offense mortelle … Tu ne peux éprouver ni comprendre | 8:06 |
André Gresse as Marcel and Marie Lafargue as Valentine; 26 November 1912; GRAMOPHONE (02591v/02592v) 034183/034184 | ||
4. | En mon bon droit j’ai confiance | 2:59 |
Agustarello Affre as Raoul, with Eugène Fréville, Eugène Claudin, Lucien Rigaux, Henri-Alexandre Lequien, M. Bernard, and Armand Narçon; 1908; ODEON (xP 4452) 97142 | ||
5. | Noble dame (Nobil dama) | 2:06 |
Mario Ancona as Nevers; sung in Italian; New York, February 1907; EDISON: TWO-MINUTE WAX CYLINDER B-41 | ||
(No existing recording sung in French) | ||
Act 4 | ||
6. | Des troubles renaissants … Pour cette cause sainte [Conjuration] | 4:05 |
Pierre d’Assy as Saint-Bris, Bernard Boussagol as Nevers, and Marthe Bakkers as Valentine; 1908; GRAMOPHONE (885i) 034032 | ||
7. | Gloire au grand Dieu vengeur … Dieu le veut! [Bénédiction des Poignards] | 4:08 |
Pierre d’Assy as Saint-Bris with chorus; 2 December 1908; GRAMOPHONE (0865v) 032108 | ||
8. | Ô ciel! Où courez-vous … Le danger presse et le temps vole | 3:30 |
Antoinette Laute-Brun as Valentine and Agustarello Affre as Raoul; 1909; ODEON (xP 4889) 97512 | ||
9. | Tu m’aimes? … Tu l’as dit | 3:47 |
Antoinette Laute-Brun as Valentine and Agustarello Affre as Raoul; 1909; ODEON (xP 4890) 97513 | ||
10. | Plus d’amour, plus d’ivresse | 3:23 |
Antoinette Laute-Brun as Valentine and Agustarello Affre as Raoul; 1909; ODEON (xP 4891) 97514 | ||
Act 5 | ||
11. | Savez-vous qu’en joignant vos mains [L’interrogatoire] | 2:59 |
Jean Vallier as Marcel; 1907; GRAMOPHONE (5069h) 3-32722 | ||
LE PROPHÈTE | ||
Act 1 | ||
12. | Un jour dans les flots de la Meuse (Einst in dieses Stromes Wellen Fiel ich) | 2:55 |
Elise Elizza as Berthe and Hermine Kittel as Fidès; sung in German; Vienna, 1905; GRAMOPHONE (686r) 2-44037 | ||
(No existing recording sung in French) | ||
Act 2 | ||
13. | Sous les vastes arceaux d’un temple magnifique (In eines Domes Wunderbau, von Säulen getragen) [Le Rêve] | 3:56 |
Leo Slezak as Jean; sung in German; 2 June 1910; GRAMOPHONE (01514v) 042255 | ||
(No existing recording sung in French) | ||
14. | Pour Berthe moi, je soupired | 3:32 |
Agustarello Affre as Jean; 1906; ODEON (xP 2455) 36534 | ||
15. | Ah, mon fils, sois béni | 3:28 |
Blanche Deschamps-Jehin as Fidès; 1908; ODEON (Xp 4299-2) 97041 | ||
Act 3 | ||
16. | Aussi nombreux que les étoiles | 2:57 |
Juste Nivette as Zacharie; October 1906; APGA 1239 | ||
17. | Roi du ciel et des anges | 2:16 |
Albert Alvarez as Jean; 1903; PATHÉ 1653 | ||
Act 4 | ||
18. | Donnez, donnez! | 3:36 |
Marie Charbonnel as Fidès; 29 December 1913; GRAMOPHONE (18591u) 33879 | ||
19. | Un pauvre pélerin! (Ein armer Pilger naht!) | 3:18 |
Margarethe Matzenauer as Fidès and Melanie Kurt as Berthe; sung in German; Berlin, 7 December 1910; GRAMOPHONE (2118c) 044175 | ||
(No existing recording sung in French) | ||
20. | Dernier espoir, lueur dernière (Nein! So sank der Hoffnung letzte Blüte) | 4:06 |
Ottilie Metzger as Fidès and Melanie Kurt as Berthe; sung in German; Berlin, 20 January 1911; GRAMOPHONE (2168c) 044176 | ||
(No existing recording sung in French) | ||
21. | Grand Dieu, exaucez ma prière (Grosser Gott, in den himmlischen Höhen) [Air de l’imprécation] | 3:07 |
Margarethe Ober as Fidès; sung in German; Berlin, 1911; PATHÉ 54533 | ||
(No existing recording sung in French) | ||
22. | Qui je suis? … Je suis, hélas! La pauvre femme (Wer ich bin? … Ich bin, weh’ mir, die tief Beklagenswerte) [Scène de l’Église] | 2:12 |
Hermine Kittel as Fidès, sung in German; Vienna, 1906; GRAMOPHONE (9941u) 43907 | ||
(No existing recording sung in French) | ||
23. | Tu chérissais ce fils? (Liebtest du diesen Sohn?) [L’exorcisme] | 2:31 |
Erik Schmedes as Jean and Hermine Kittel as Fidès; sung in German; Vienna, 1906; GRAMOPHONE (9958u) 2-44186 | ||
(No existing recording sung in French) | ||
CD 3: (78:16) | ||
Act 5 | ||
1. | Ô prêtres de Baal … Ô toi qui m’abandonnes [Scène de la Prison] | 3:50 |
Ernistine Schumann-Heink as Fidès; Camden, New Jersey, 26 September 1907; VICTOR (C-4838-2) 88094 | ||
2. | Il va venir … Comme un éclair précipité [Scène de la Prison] | 2:52 |
Ernistine Schumann-Heink as Fidès; Camden, New Jersey, 26 September 1907; VICTOR (C-4839-1) 88095 | ||
3. | Mon fils? … Je n’en ai plus | 2:49 |
Gaston Dubois as Jean and Amelia Talexis as Fidès; ca.1907; ODEON (xp 3802) 60561 | ||
4. | A la voix de ta mère | 3:00 |
Gaston Dubois as Jean and Amelia Talexis as Fidès; ca. 1907; ODEON (xp 3803) 60586 | ||
5. | Versez! Que tout respire (Beviam! Che tutto spiri) [Chanson Bachique] | 2:10 |
Mario Gilion as Jean; sung in Italian; Milan, 15 October 1910; FONOTIPIA (XPh 4382) 92659 | ||
(No existing recording sung in French) | ||
APPENDIX | ||
ROBERT LE DIABLE | ||
Act 1 | ||
6. | Va, dit-elle, va, mon enfant (Geh’! sprach sie zu mir) | 3:11 |
Emmy Destinn as Alice; March 1908; ODEON (xB 3612) 64855 | ||
Act 3 | ||
7. | Ah, l’honnête homme! … Le bonheur est dans l’inconstance | 8:00 |
Paul Payan as Bertram and Edmond Tirmont as Raimbaut; 3 May 1912/22 May 1912; GRAMOPHONE (02385v/02443v) 034130/034138 | ||
8. | Quand je quittai la Normandie (Eh’ ich die Normandie verlassen) | 3:39 |
Emmy Destinn as Alice; sung in German; Berlin, March 1908; ODEON (xB 3613) 64837 | ||
Act 4 | ||
9. | Robert, Robert, toi que j’aime (Robert! Robert, mein Geliebter) | 4:30 |
Lilli Lehman as Isabelle; sung in German; Berlin, 5 July 1907; ODEON (xxB 3148) IRCC 80009 | ||
LES HUGUENOTS | ||
Act 1 | ||
10. | Plus blanche que la blanche hermine | 2:18 |
Albert Vaguet as Raoul and Pierre Monteux, viola; 1903; PATHÉ CYLINDER 3844 | ||
(Sung in original key of b-flat) | ||
11. | Ah, quel spectacle enchanteur … Plus blanche que la blanche hermine (Vse prelest v ney) | 4:15 |
Dmitri Smirnov as Raoul; sung in Russian; St. Petersburg, 15 October 1913; GRAMOPHONE (2857 C) 022338 (Transposed down to A) | ||
12. | Pour les couvents c’est fini | 2:52 |
Pol Plançon as Marcel; London, 30 May 1902; GRAMOPHONE (1936G) 2-2661 | ||
13. | Une dame noble et sage (Vaga donna, illustre e cara) | 2:24 |
Eugenia Mantelli as Urbain; sung in Italian; New York, 1899; BETTINI CYLINDER | ||
Act 2 | ||
14. | Ô beau pays … A ce mot seul s’anime (O glücklich Land … Dies einz’ge Wörtlein “Liebe”) | 7:21 |
Margarethe Siems as Marguerite de Valois; sung in German; Berlin, February 1911; PARLOPHON (574/575) P-574/P-575 | ||
15. | A ce mot seul s’anime [Fragment from Queen’s cabaletta] | 2:07 |
Attributed to Suzanne Adams as Marguerite de Valois; Metropolitan Opera House, New York, 1 March 1902; MAPLESON CYLINDER originally issued on IRCC 5002 | ||
(Previously thought to be sung by Nellie Melba. John Stratton’s article in Recorded Sound, July 1968 gives strong evidence for Suzanne Adams) | ||
16. | Beauté divine, enchanteresse … Ah, si j’étais coquette (Wer uns Vertrauen gab … Ach, wär’ ich so wie and’re Frauen) | 8:10 |
Frieda Hempel as Marguerite de Valois and Hermann Jadlowker as Raoul; sung in German; Berlin, September 1911; ODEON (xxb5185-2/xxB5184-1) Lxx76902/Lxx76903 | ||
(This version contains more music than any recording sung in French) | ||
17. | Des troubles renaissants … Pour cette cause sainte [Conjuration] | 3:03 |
Jean-François Delmas as Saint-Bris (sung as a solo); December 1904; FONOTIPIA (XPh 512) 39027 | ||
18. | Dieu le veut! [Bénédiction des Poignards] | 3:24 |
Jean-François Delmas as Saint-Bris with chorus; 1907; ODEON (XP 4338) 56181; | ||
19. | Le danger presse … Tu l’as dit | 2:16 |
Léonie Tanésy as Valentine and M. Vallade as Raoul; 1902; PATHÉ CYLINDER 2864 | ||
LE PROPHÈTE | ||
Act 2 | ||
20. | Ah, mon fils, sois béni | 3:13 |
Suzanne Brohly as Fidès; 1908; GRAMOPHONE (6246h) 33712 | ||
Act 3 | ||
21. | Roi du ciel et des anges | 2:53 |
Léon Escalaïs as Jean; Milan; 29 November 1905; FONOTIPIA (XPh 495) 39429 | ||
All selections recorded in Paris unless otherwise noted. | ||
All selections sung in French unless otherwise noted. | ||
CD 1: Accompaniment: Tracks [1-2, 5-7,10-19, 21] accompanied by orchestra; Tracks [3-4, 8-9, 20] accompanied by piano | ||
CD 2: Accompaniment: All tracks accompanied by orchestra, except Track 17, which is accompanied by piano | ||
CD 3: Accompaniment: Tracks [1-9, 11, 14-21] accompanied by orchestra; Tracks [10, 12-13] accompanied by piano |
Producers: Ward Marston and Scott Kessler
Audio Conservation: Ward Marston
Booklet Design: Takeshi Takahashi
The scope of Meyerbeer on Record is such that it not only required the assistance of many specialized collectors and scholars, it also required substantial funding. Therefore, Marston would like to thank the Pauls Foundation and the estate of John Stratton, under the guidance of its Trustee, Stephen Clarke for their substantial contributions, which have subsidized the cost of this set. Marston would also like to extend special thanks to Richard Arsenty, whose discographic research was invaluable in selecting the recordings chosen on this set. Finally, Marston would like to thank Luc Bourrousse, whose primary research has shed light onto the lives of many less well-known French singers.
Photographs: Marston would like to thank Girvice Archer, Gregor Benko, Luc Bourrousse, Harold Bruder, Ramonia Fasio, Roger Gross, Charles Mintzer, John Pennino, Robert Tuggle, and Peter van der Waal for their help in providing photos for our booklet. Marston would also like to thank and recognize the Metropolitan Opera Archives for providing the photo of Dmitri Smirnov as well as the featured photos of Pol Plançon, Marcel Journet, Ernestine Schumann-Heink, Albert Alvarez (page 17), and Giacomo Meyerbeer.
Original recordings: Marston would like to thank the following for making their record collections available for the production of this CD release: Gregor Benko, J. Neil Forster, Harry Glaze, Lewis Hall, Denys Harry, Lawrence F. Holdridge, John Humbley, and Peter Lack.
Marston would also like to thank Alexander Proidakov for providing a digital transfer of Eugenia Mantelli’s previously unknown Bettini cylinder of “Vaga donna” from Les Huguenots; Stephen Clarke; and Raymond Edwards.
The following selections are re-recorded from copies in the collection of Mr. and Mrs. Laurence C. Witten II in the Yale Collection of Historical Sound Recordings, Yale University Library:
CD 1: Tracks 8, 14, and 19 / CD 2: Tracks 6-7, 12, 16, and 22-23 / CD 3: Track 21
Biographies: Marston would like to thank the following for providing biographical information for this CD release: Harold Bruder, Luc Bourrousse, Lawrence F. Holdridge, and John Humbley.
The original six-disc LP record album of the complete Mapleson Cylinders is still available for purchase directly from the Rodgers & Hammerstein Archives of Recorded Sound of The New York Public Library for the Performing Arts, in New York.
Meyerbeer on Record
1899-1913
Giacomo Meyerbeer was one of the most important composers in Paris during the mid-1800s. He is considered the founder of the French Grand Opera and his works dominated the French stage. Meyerbeer changed the face of opera in Paris, and yet, much criticism is directed toward him and much of his music is seldom heard today. This 3-CD set is the first of two volumes, which together will honor Meyerbeer and reacquaint the listener with his marvelous music and some very interesting singing. These two volumes will contain at least one version of every recorded Meyerbeer excerpt sung by French singers. They include cylinders and discs from the earliest days of recorded sound and continue through the 1930s. This compilation is not only an interesting way of organizing important and lovely French singing but gives a rare and extensive look into this style of singing. Volume one will feature recordings from Meyerbeer's first three operas written for Paris: Robert Le Diable, Les Huguenots, and Le Prophète.