CD 1 (77:22) | ||
Irene ABENDROTH | ||
1. | MIGNON: Je suis Titania (Thomas) | 3:01 |
1902; (768 1/2x) G&T 43245 | ||
2. | Vergebliches Ständchen (Brahms) | 1:55 |
1902; (2286b) G&T 43038 | ||
Anna von BAHR-MILDENBURG | ||
3. | OBERON: Ozean du Ungeheuer (Weber) | 2:34 |
1904; (805e) G&T 43630 | ||
Lola BEETH | ||
4. | M’ama, non m’ama (Mascagni) | 2:55 |
1904; (OB 28y) G&T 43621 | ||
Theodor BERTRAM | ||
5. | DAS RHEINGOLD: Abendlich Strahlt (Wagner) | 2:47 |
1905; (2056-f) Favorite 1-15049 | ||
Elsa BLAND | ||
6. | AIDA: O patria mia (Verdi) | 3:03 |
1905; (12700) Columbia 12700 | ||
Hermine BOSETTI | ||
7. | DIE ZAUBERFLÖTE: Zum Leiden bin ich auserkoren (Mozart) | 3:24 |
1906; (4445l) G&T 43785 | ||
Ellen BRANDT-FORSTER | ||
8. | COPPELIA: Valse (Delibes) | 1:57 |
1902; (2530b) G&T 43198 | ||
9. | LE NOZZE DI FIGARO: Crudel perchè finora (Mozart) | 2:12 |
with Leopold Demuth, baritone 1902; (2529b) G&T 44115 |
||
Hans BREUER | ||
10. | SIEGFRIED: Als züllendes Kind (Wagner) | 2:10 |
1904; (1131e) G&T 2-42923 | ||
Sara CAHIER | ||
11. | CARMEN: Habanera (Bizet) | 2:48 |
1907; (10894u) G&T 43944 | ||
12. | CARMEN: Air des cartes (Bizet) | 2:46 |
1907; (10910u) G&T 43945 | ||
Leopold DEMUTH | ||
13. | DIE DREI PINTOS: Ein Mädchen Verloren (Weber) | 3:46 |
1903; (19hp) G&T 042030 | ||
14. | PIKOVAYA DAMA: Ja vas lyublyu (Tchaikovsky) | 3:46 |
1903; (49hp) G&T 042053 | ||
Andreas DIPPEL | ||
15. | LES HUGUENOTS: Plus blanche que la blanche hermine (Meyerbeer) | 2:10 |
1906; Edison cylinder B-15 | ||
Elise ELIZZA | ||
16. | DIE KÖNIGIN VON SABA: Lockruf (Goldmark) | 2:28 |
1904; Pathé 19268 | ||
17. | DIE KÖNIGIN VON SABA: Der Freund ist dein (Goldmark) | 3:15 |
1906; (704r) G&T 43752 | ||
Benedikt FELIX | ||
18. | Non t’amo più (Denza) | 2:54 |
1902; (869x) G&T 52363 | ||
Ottilie FELLWOCK | ||
19. | SAMSON ET DALILA: Printemps qui commence (Saint-Saëns) | 4:28 |
1904; (245y) G&T 043030 | ||
Frieda FELSER | ||
20. | MIGNON: Connais-tu le pays? (Thomas) | 3:29 |
1907; (3043r) G&T 43926 | ||
Grete FORST | ||
21. | DER FREISCHÜTZ: Kommt ein schlanker Bursch’ gegangen (Weber) | 3:02 |
1904; (916e) G&T 43618 | ||
Gertrude FÖRSTEL | ||
22. | FAUST: Air des bijoux (Gounod) | 3:36 |
1904; (1903x) G&T 43504 | ||
Berta FÖRSTER-LAUTERER | ||
23. | PRODANÁ NEVESTA: Ten lasky sen (Smetana) | 2:45 |
1903; (763z) G&T 43413 | ||
24. | LOHENGRIN: Das süsse Lied verhallt (Wagner) | 4:05 |
with Leo Slezak, tenor 1903; (27hp) G&T 044017 |
||
Moritz FRAUSCHER | ||
25. | Prinz Eugen (Loewe) | 3:02 |
1902; (G 81b) Zonophone X-22150 | ||
Marie GUTHEIL-SCHODER | ||
26. | DIE LUSTIGEN WEIBER VON WINDSOR: Nun eilt herbei (Nicolai) | 2:52 |
1902; (884x) G&T 43221 | ||
CD 2 (78:56) | ||
Alexander HAYDTER | ||
1. | DAS RHEINGOLD: Alberichs Fluch (Wagner) | 3:21 |
1906; (Vx 1365) Odeon X 38367 | ||
Wilhelm HESCH | ||
2. | EVGENIJ ONEGIN: Lyubvi fse vozrastï pokornï (Tchaikovsky) | 3:45 |
1902; (937x) G&T 42849 | ||
3. | LES HUGUENOTS: Dans la nuit toute seule (Meyerbeer) | 3:44 |
with Betty Schubert, soprano 1904; (Vx 138) Odeon X 38083 |
||
Laura HILGERMANN | ||
4. | Träume (Wagner) | 3:00 |
1908; (13221u) Zonophone X-23308 | ||
5. | TANNHÄUSER: Dich teure Halle (Wagner) | 2:58 |
1908; (13222u) Zonophone X-23309 | ||
Hermine KITTEL | ||
6. | DJAMILEH: Nour-Eddin, roi de Lahore [Ghazel] (Bizet) | 3:07 |
1908; (12945u) Gramophone Pre-Dog 2-43110 | ||
7. | DJAMILEH: Sans doute l’heure est prochaine [Lamento] (Bizet) | 3:16 |
1908; (12944u) Gramophone Pre-Dog 2-43109 | ||
Berta KIURINA | ||
8. | FAUST: Faites-lui mes aveux (Gounod) | 2:52 |
1906; (Vx 1425) Odeon X 25709 | ||
9. | LOHENGRIN: Das süsse Lied verhallt (Wagner) | 3:14 |
with Hubert Leuer, tenor 1914; Pathé 56244 |
||
Selma KURZ | ||
10. | FAUST: Ne permettrez-vous pas (Gounod) | 1:31 |
1900; (1627a) Berliner 43015 | ||
11. | ERNANI: Ernani involami (Verdi) | 3:16 |
1902; (X-1669) Zonophone X-23013 | ||
12. | UN BALLO IN MASCHERA: Saper vorreste (Verdi) | 2:03 |
1902; (2486b) G&T 43305 | ||
Georg MAIKL | ||
13. | LE DONNE CURIOSE: Aria di Florindo (Wolf-Ferrari) | 2:25 |
1905; Pathé 38085 | ||
Richard MAYR | ||
14. | LA JUIVE: Si la rigueur et la vengeance (Halévy) | 4:01 |
1905; (460c) G&T 042108 | ||
Hans MELMS | ||
15. | TANNHÄUSER: O kehr’ zurück, du kühner Sänger (Wagner) | 2:56 |
1907; (12846u) Gramophone Pre-Dog V.* 22843 | ||
Margarethe MICHALEK | ||
16. | DER DOT MON: Ich hab’ dich so lieb (Förster) | 2:05 |
1902; (2452b) G&T 43316 | ||
17. | Es blinkt der Tau (Rubinstein) | 2:47 |
1902; (967x) G&T 43242 | ||
Anton MOSER | ||
18. | Soldatenart (Abt) | 3:06 |
1905; (12508-1-x) Columbia 12508 | ||
Franz NAVAL | ||
19. | COSÌ FAN TUTTE: Un aura amorosa (Mozart) | 3:12 |
1902; (857x) G&T 42818 | ||
20. | LA DAME BLANCHE: Cene main si jolie (Boieldieu) | 3:16 |
with Marie Gutheil-Schoder, soprano 1902; (851x) G&T 44066 |
||
Franz PACAL | ||
21. | DER FLIEGENDE HOLLÄNDER: Mit Gewitter und Sturm (Wagner) | 2:47 |
1902; (943x) G&T 42850 | ||
22. | Frühlingzeit (Becker) | 2:55 |
1902; (891x) G&T 42832 | ||
Josie PETRU | ||
23. | LE PROPHÈTE: Ah mon fils! (Meyerbeer) | 3:14 |
1906; (Vx 1406) Odeon X 38282 | ||
24. | DIE ROSE VOM LIEBESGARTEN: Arioso (Pfitzner) | 2:17 |
with Berta Kiurina, soprano 1906; (OX 1371) Odeon X 38305 | ||
25. | DIE ROSE VOM LIEBESGARTEN: Duett (Pfitzner) | 2:31 |
with Berta Kiurina, soprano 1906; (OX 1370) Odeon X 38304 |
||
Jenny POHLNER | ||
26. | DAS RHEINGOLD: Rheintöchter Terzett (Wagner) | 2:39 |
with Elise Elizza, soprano; Hermine Kittel, contralto 1904; (xV 98) Odeon X 38022 |
||
Arthur PREUSS | ||
27. | DIE ENTFÜHRUNG AUS DEM SERAIL: Frisch zum Kampfe (Mozart) | 2:26 |
1906; (4264l) G&T 3-42598 | ||
CD 3 (78:23) | ||
Carl REICH | ||
1. | ERNANI: Che mai vegg’io…Infelice! E tu credevi (Verdi) | 3:21 |
1903; (89hp) G&T 042042 | ||
Frances SAVILLE | ||
2. | MANON: Voyons, Manon (Massenet) | 3:20 |
1902; (873x) G&T 43280 | ||
3. | Morgen send’ ich dir die Veilchen (Meyer-Helmund) | 3:08 |
1902; (876x) G&T 43285 | ||
Erik SCHMEDES | ||
4. | En Drøm (Grieg) | 2:01 |
1902; (2378b) G&T 42709 | ||
5. | TRISTAN UND ISOLDE: O sink’ hernieder (Wagner) | 3:06 |
with Elsa Bland, soprano 1908; (13157u) Gramophone Pre-Dog 2-44412 |
||
6. | TRISTAN UND ISOLDE: So stürben wir (Wagner) | 2:34 |
with Elsa Bland, soprano 1908; (13156u) Gramophone Pre-Dog 2-44411 |
||
Fritz SCHRÖDTER | ||
7. | DIE MEISTERSINGER: Am Jordan (Wagner) | 1:48 |
1902; (2426b) G&T 42757 | ||
8. | DIE FLEDERMAUS: Brüderlein und Schwesterlein (J. Strauss) | 2:06 |
1902; (2484b) G&T 42776 | ||
Sophie SEDLMAIR | ||
9. | DON GIOVANNI: Or sai che l’onore (Mozart) | 2:55 |
1903; (896z) G&T 43507 | ||
10. | LE NOZZE DI FIGARO: Voi che sapete (Mozart) | 3:10 |
c.1910; (2046) Janus-Record 5496b | ||
Charlotte von SEEBEÖK | ||
11. | NORMA: Casta Diva…Ah, bello, a me ritorna (Bellini) | 4:07 |
1905; Pathé 38220/38221 | ||
Johannes SEMBACH | ||
12. | LA DAME BLANCHE: Viens, gentille dame (Boieldieu) | 2:23 |
1906; (7226 OE) Lyrophon W.7226 | ||
Leo SLEZAK | ||
13. | Ungeduld (Schubert) | 2:27 |
1901; (214x) G&T 42409 | ||
14. | GUILLAUME TELL: Ses jours qu’il sont osé proscrire (Rossini) | 3:29 |
1903; (8hp) G&T 042061 | ||
Julius SPIELMANN | ||
15. | CAVALLERIA RUSTICANA: Siciliana (Mascagni) | 2:23 |
1905; (180-o) Favorite 1-15218 | ||
Gerhard STEHMANN | ||
16. | TANNHÄUSER: Blick’ ich umher (Wagner) | 3:21 |
1902; (G 7b) Zonophone X-22131 | ||
Ernest VAN DYCK | ||
17. | Les berceaux (G. Fauré) | 2:25 |
1903; Pathé Cylinder 0796 | ||
18. | Les roses d’Ispahan (G. Fauré) | 2:43 |
1905; (Xph 541) Fonotipia 39226 | ||
Edyth WALKER | ||
19. | LE PROPHÈTE: Scène de la prison (Meyerbeer) | 2:19 |
1902; (975x) G&T 43261 | ||
20. | SERSE: Ombra mai fu (Handel) | 2:49 |
1902; (1114 1/2x) G&T 43279 | ||
Friedrich WEIDEMANN | ||
21. | DIE ZAUBERFLÖTE: Papagena, Papagena! (Mozart) | 3:15 |
1907; (10053u) Gramophone 3-42755 | ||
Lucie WEIDT | ||
22. | FIDELIO: Abscheulicher! …Komm’ Hoffnung (Beethoven) | 5:47 |
1904; (3494b) G&T 43380 & (339i) G&T 043048 | ||
Hermann WINKELMANN | ||
23. | DIE MEISTERSINGER: Preislied (Wagner) | 2:36 |
1905; (6769b) G&T 3-42465 | ||
24. | DALIBOR: Slysel’s to, priteli (Smetana) | 3:12 |
1905; (6770b) G&T 3-42299 | ||
Wilhelm WISSIAK | ||
25. | MARTHA: Trinklied (Flotow) | 2:01 |
1906, (Vx1466) Odeon X25745 | ||
Lilli LEHMANN | ||
26. | TRISTAN UND ISOLDE: Liebestod (Wagner) | 5:23 |
1907; (xxB 3145) Odeon (unpublished on 78 rpm) | ||
CD 1:
CD 2:
CD 3: |
Producer: Nathan B. Davis
Audio Conservation: Ward Marston
Photographs: Girvice Archer, Luc Bourrousse, Nathan B. Davis, Charles Mintzer, Patricia Novak, Ralph Richey, and Robert Tuggle
Booklet Design: Takeshi Takahashi
The publication of this set would not be possible without the generosity of the following record collectors for supplying the following rare recordings:
Robert Autrey: CD 1: [19]; CD 2 [24, 25]; CD 3: [3, 10, 14, 18, 19, 24]
Nathan B. Davis: CD 1: [21]; CD 2: [13]; CD 3: [5, 6, 21]
J. Neil Forster: CD 1: [11, 12]
Sir Paul Getty: CD 1: [1, 2, 3, 5, 7, 8, 9, 10, 26]; CD 2: [10, 11, 12, 16, 21, 23, 27]; CD 3: [2, 17, 20, 22, 23]
Herbert Gruy: CD 1: [4, 18, 20, 25]; CD 2: [1, 9]; CD 3: [1, 15, 16]
Lawrence F. Holdridge: CD 1: [6, 13, 16, 17, 22]; CD 2: [4, 5, 6, 7, 8, 14, 15, 17, 19, 20, 22]; CD 3: [7, 13]
Franz Lechleitner: CD 2: [3]
Christopher Norton-Welsh: CD 1: [14]; CD 2: [2, 18, 26]; CD 3: [4]
Christian Zwarg: CD 3: [12]
Also, the following selections are re-recorded from copies in the collection of Mr. and Mrs. Laurence C. Witten II, the Yale Collection of Historical Sound Recordings, Yale Music Library:
CD 1: [15, 23, 24]; CD 3: [8, 9, 11, 25, 26]
Dedication: In memory of Miss Georgia Standing (1906-2002), American contralto and protégé of Mme. Charles Cahier.
Marston would also like to thank Samuel Bolshoi, Leonard D. Court, Art Guenther, Harry Glaze, Sally Munton, Lloyd Stickells, and Richard Warren Jr.
Recommended reading: Gustav Mahler Vienna: The Years of Challenge (1897-1904) and Gustav Mahler Vienna: Triumph and Disillusion (1904-1907), Oxford Press, by Professor H.L. de La Grange, 1995 and 2000.
Mahlers Decade in Vienna
Singers of the Court Opera 1897-1907
Marston is proud to present a Centenary Tribute to the amazing ten-year directorship of Gustav Mahler in Vienna. Rare and in some cases unique early recordings of opera and lieder highlight the vocal artistry of more than fifty Court Opera stars, including Irene Abendroth, Lola Beeth, Theodor Bertram, Hermine Bosetti, Mme. Charles Cahier, Leopold Demuth, Ottilie Fellwock, Wilhelm Hesch, Berta Kiurina, Selma Kurz, Richard Mayr, Frances Saville, Erik Schmedes, Leo Slezak, Johannes Sembach, and Edyth Walker. These fascinating documents in sound, many available here in re-issue for the first time, will also showcase important Court Opera premiers and revivals. This comprehensive 3 CD set from Marston also features an essay on Mahler and his work at the Court Opera by renowned scholar Stephen E. Hefling and informative thumbnail biographies of each artist represented.