CD1 (75:38) | ||
Gramophone and Typewriter Limited Paris, ca. 1902 | ||
1. | LE CID: Pleurez, mes yeux (Massenet) | 3:14 |
(1358 F) 33158 | ||
2. | Les Berceaux (Fauré) | 2:56 |
(1359 F) 33159 | ||
3. | SAMSON ET DALILA: Mon coeur s’ouvre à ta voix (Saint-Saëns) | 3:02 |
(1360 F) 33160 | ||
4. | HAROLD: Lullaby (Nápravnik) | 2:37 |
(1361 F) 33161 | ||
5. | Noch (Rubinstein) | 2:10 |
(1362 F) 23196 | ||
6. | TRISTAN UND ISOLDE: Mild und leise [Liebestod] (Wagner) | 3:49 |
(1363 F) 33162 | ||
7. | DIE WALKÜRE: Ho-jo-to-ho (Wagner) | 1:51 |
(1364 F) 33163 | ||
8. | Ich grolle nicht (Schumann) | 2:03 |
(1365 F) 33182 | ||
Gramophone and Typewriter Limited Paris, ca. 1903 | ||
9. | TRISTAN UND ISOLDE: Mild und leise [Liebestod] (Wagner) | 3:53 |
(2253 F) 33162X | ||
10. | SAMSON ET DALILA: Mon coeur s’ouvre à ta voix (Saint-Saëns) | 2:50 |
(2254 CS) 33160X | ||
11. | SAPHO: O ma lyre immortelle (Gounod) | 3:57 |
(2255 CS) 033000 | ||
12. | Les Berceaux (Fauré) | 2:47 |
(2256 CS) 33159X | ||
13. | Noch (Rubinstein) | 2:11 |
(2257 CS) 2319X | ||
14. | Ich grolle nicht (Schumann) | 2:02 |
(2258 CS) 33182X | ||
15. | HAROLD: Lullaby (Nápravnik) | 2:34 |
(2272 CS) 33161X | ||
16. | FAUST: Seigneur, daignez (extracts from “Church Scene”) (Gounod) | 1:52 |
(2273 CS) 033001 | ||
17. | DIE WALKÜRE: Ho-jo-to-ho (Wagner) | 1:55 |
(2274 CS) 33163X | ||
18. | LE CID: Pleurez, mes yeux (Massenet) | 3:38 |
(2275 F) 33158X | ||
Pathé Frères Paris, ca. 1904 | ||
19. | SAPHO: O ma lyre immortelle (Gounod) | 2:22 |
(2819) 348 | ||
20. | LES TROYENS À CARTHAGE: Adieu (Berlioz) | 2:19 |
(2820) 349 | ||
21. | FAUST: Je voudrais bien savoir…Il était un roi de Thulé (Gounod) | 2:26 |
(2821) 350 | ||
22. | FAUST: Seigneur, daignez (extracts from “Church Scene”) (Gounod) | 2:14 |
(7259) 351 | ||
23. | L’Incrédule (Hahn) | 2:04 |
(2822) 352 | ||
Fonotopia Paris, 1904 or 1905 | ||
24. | CAVALLERIA RUSTICANA: Voi lo sapete (Mascagni) | 3:05 |
(XPh 675) 39052 | ||
25. | LOHENGRIN: Einsam in trüben Tagen (Wagner) | 3:00 |
(XPh 676) 39182 | ||
26. | Ich grolle nicht (Schumann) | 2:03 |
(XPh 693) 39060 | ||
27. | AIDA: I sacri nomi (Verdi) | 2:59 |
(XPh 694) 39217 | ||
28. | L’AFRICAINE: Sur mes genoux (Meyerbeer) | 3:30 |
(XPh 695) 39218 | ||
CD 1: | ||
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CD 2 (77:18) | ||
Odeon Paris, 1910 and 1911 | ||
1. | SAMSON ET DALILA: Mon coeur s’ouvre à ta voix (Saint-Saëns) | 3:17 |
(XP 5022) 56219 | ||
2. | LA FAVORITE: O mon Fernand (Donizetti) | 3:12 |
(XP 5023) 56220 | ||
3. | LE TROUVÈRE: La nuit calme et sereine (Tacea la notte) (Verdi) | 3:13 |
(XP 5024) 56221 | ||
4. | LE TROUVÈRE: Brise d’amour (D’amor sull’ali rosee) (Verdi) | 3:33 |
(XP 5160) 56225 | ||
5. | CARMEN: L’amour est un oiseau rebelle [Habanera] (Bizet) | 2:46 |
(XP 5158) 56224 | ||
6. | L’AFRICAINE: Sur mes genoux (Meyerbeer) | 2:41 |
(XP 5161) 56226 | ||
7. | LE CID: Pleurez, mes yeux (Massenet) | 3:19 |
(XP 5177) 56223 | ||
SELECTED RECORDINGS BY NATALYA YERMOLENKO-YUZHINA Gramophone Company Limited | ||
8. | TANNHÄUSER: Dich, teure Halle (Wagner) | 2:55 |
1909; (7056r) 2-23458 | ||
9. | TANNHÄUSER: Allmächt’ge Jungfrau, hör’ mein Flehen (Wagner) | 3:01 |
1909; (7057r) 2-23475 | ||
10. | IL TROVATORE: Tacea la notte (Verdi) | 3:09 |
28 October 1911; (16124b) 2-23607 | ||
11. | AIDA: Ritorna vincitor (Verdi) | 4:05 |
6 February 1909; (406m) 023042 | ||
12. | AIDA: Fuggiam gli ardori inospiti (Verdi) | 3:51 |
with David Yuzhin, tenor
July 1908; (339m) 0243029 |
||
13. | LA GIOCONDA: Suicidio! (Ponchielli) | 3:09 |
1908; (7201L) 2-23314 | ||
14. | MEFISTOFELE: Lontano, lontano! (Boito) | 2:18 |
with David Yuzhin, tenor
1908; (7196L) 2-24027 |
||
15. | RUSLAN AND LUDMILA: O my Ratmir! (Glinka) | 2:56 |
6 February 1909; (8661L) 2-23416 | ||
16. | Russalka: Through the rushes (Dargomyzhsky) | 2:20 |
3 February 1910; (14199b) 2-23494 | ||
17. | ROGNEDA: The blue sea moaned (Serov) | 2:30 |
1908; (7191L) 2-23310 | ||
18. | JUDITH: I shall don my robe of byssus (Serov) | 3:09 |
8 February 1909; (8664L) 2-23418 | ||
19. | PRINCE IGOR: How dreary is everything [Yaroslavna’s Aria] (Borodin) | 3:07 |
3 February 1910; (14200b) 2-23486 | ||
20. | THE SOROCHINSKY FAIR: Parassia’s daydream (Mussorgsky) | 3:23 |
1 February 1910; (1949c) 023048 | ||
21. | THE OPRICHNIK: Little nightingale (Tchaikovsky) | 3:36 |
31 October 1911; (2520c) 023090 | ||
22. | MAZEPPA: Cradle song (Tchaikovsky) | 2:25 |
1908; (7197L) 2-23311 | ||
23. | ENCHANTRESS: To look from Nijai (Tchaikovsky) | 3:48 |
1908; (1977c) 023060 | ||
24. | PIKOVAYA DAMA: Ah, I am weary [Midnight Aria] (Tchaikovsky) | 3:00 |
1908; (7200L) 2-23313 | ||
25. | DUBROVSKY: Masha’s Arioso (Nápravnik) | 2:26 |
6 February 1909; (8662L) 2-23417 | ||
CD 2: | ||
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Producer: Ward Marston
Audio Conservation: Ward Marston
Photographs: Girvice Archer and Charles Mintzer
Booklet Design: Takeshi Takahashi
Marston would like to thank Stephen R. Clarke, Ramona Fasio and John Philbrook for their help in the production of this CD release.
The following selections are re-recorded from copies in the collection of Mr. and Mrs. Laurence C. Witten II in the Yale Collection of Historical Sound Recordings, Yale University Library:
CD 1: Tracks 1, 8, 12, 13, 15, 19, 21, and 23
CD 2: Tracks 10, 11, and 22
Various selections are re-recorded from copies in the collections of J. Neil Forster, the Estate of Sir Paul Getty, Harry Glaze, and Lawrence F. Holdridge.
The Complete Félia Litvinne And Natalya Yermolenko–Yuzhina
Any serious record collector is aware of the name Felia Litvinne (1860–1936). Her recordings fall into a very small category of being both exceedingly rare and incredibly beautiful. Her dramatic soprano voice is remarkable. Litvinne studied with Mme. Barthe-Banderali, Victor Maurel, and Pauline Viardot-Garcia. She received the highest praise for her performances at La Scala, the Imperial Opera Houses in St. Petersburg, Covent Garden, and the Metropolitan Opera House. This two CD set includes all of her known recordings. Five of the ten Pathé cylinders that are rumored to exist have never surfaced and consequently cannot be included in this set.