CD 1 [79:38] | ||
Operatic Arias and Duets | ||
1. | IL BARBIERE DI SIVIGLIA: Largo al factotum (Rossini) | 3:58 |
8 March 1909; (C-6867-1) 88181 | ||
2. | DON GIOVANNI: Deh, vieni alla finestra (Mozart) | 1:54 |
3 September 1913; (C-13721-1) 88447 | ||
3. | LE NOZZE DI FIGARO: Crudel, perchè finora (Mozart) | 2:58 |
with Emma Eames, soprano6 April 1909; (C-6967-1) 89023 | ||
4. | LA SONNAMBULA: Vi ravviso, o luoghi ameni (Bellini) | 2:56 |
9 June 1904; (B-1453-1) 1342 | ||
5. | RIGOLETTO: Pari siamo (Verdi) | 4:10 |
26 May 1908; (C-6235-1) 74110 | ||
6. | UN BALLO IN MASCHERA: Eri tu (Verdi) | 4:33 |
20 September 1911; (C-9677-2) 88324 | ||
7. | PAGLIACCI: Si può? [Prologo] (Leoncavallo) | 5:30 |
7 June 1904; (B-1430A-1/B-1430B-1) 2822/2823 | ||
8. | HAMLET: Ô vin, dissipe la tristesse [Chanson bachique] (Thomas) | 3:25 |
26 May 1908; (C-6236-1) 74114 | ||
9. | HAMLET: Doute de la lumiere (Thomas) | 4:11 |
with Marcella Sembrich, soprano9 October 1907; (C-4871-1) 89010 | ||
10. | CARMEN: Votre toast [Chanson du toréador] (Bizet) | 2:35 |
with New York Grand Opera Chorus11 June 1906; (C-3449-4) 74046 | ||
11. | LE ROI DE LAHORE: Promesse de mon avenir (Massenet) | 3:34 |
7 April 1909; (C-6968-2) 88172 | ||
12. | HÉRODIADE: Divine volupté …Vision fugitive (Massenet) | 4:07 |
2 February 1909; (C-6115-4) 88153 | ||
13. | PANURGE: Chanson de la Touraine (Massenet) | 2:16 |
3 January 1919; (B-22497-1) 64862 | ||
14. | PATRIE: Jadis elles chantaient [Air du sonneur] (Paladilhe) | 3:53 |
19 September 1911; (C-10997-1) 74229 | ||
15. | SAMSON ET DALILA: A moi l’honneur de la vengeance (Vengeance at last) (Saint-Saëns) | 2:42 |
with Louise Homer, contralto25 May 1908; (B-6227-2) 89501 | ||
16. | TANNHÄUSER: Da scheinest du ... O du, mein holder Abendstern (Wagner) | 3:34 |
2 February 1909; (C-6764-4) 88154 | ||
Italian Songs | ||
17. | Caro mio ben (Giordani) | 3:28 |
13 May 1909; (C-6974-2) 88173 | ||
18. | Dormi pure (Scuderi) | 3:30 |
14 May 1909; (C-7084-1) 74047 | ||
19. | Comme se canta a Napule (Mario) | 2:51 |
10 November 1914; (B-15369-1) 64479 | ||
20. | Lasciali dir, tu m’ami (Quaranta) | 3:45 |
16 December 1920; (B-24737-2) 66046 | ||
21. | Mandolinata (Paladilhe) | 2:48 |
28 November 1910; (B-9673-2) 64160 | ||
22. | Non è ver (Mattei) | 4:18 |
18 April 1916; (C-15368-2) 74421 | ||
23. | Santa Lucia (Cottrau) | 2:45 |
16 May 1927; (BVE-1916-11) 1263-A | ||
CD 2 [79:23] | ||
Spanish Songs | ||
1. | El celoso (Álvarez) | 2:24 |
ca. 1900; (2-minute Edison brown wax cylinder) 12082 | ||
2. | Cantares (Álvarez) | 4:07 |
28 November 1911; C-11314-1; 74262 | ||
3. | La partida (Álvarez) | 4:04 |
5 September 1913; (C-13726-1) 74360 | ||
4. | En calesa (Álvarez) | 3:00 |
11 May 1920; (B-24104-7) 64898 | ||
5. | Mi niña (Guetary) | 4:08 |
19 November 1909; (C-8392-1) 74149 | ||
6. | La paloma (Yradier) | 2:21 |
12 January 1926; (BVE-1917-6) 1141-A. | ||
7. | La Sevillana (Yradier) | 2:47 |
12 January 1926; (BVE-7-078-6) 1203-A. | ||
8. | A la luz de la luna (Anton and Michelena) | 2:58 |
with Tito Schipa, tenor 8 February 1928; (BVE-38379-4) 1751-A | ||
9. | Rosario de la Aurora (Traditional) | 3:07 |
18 May 1927; (BVE-38039-1) 1294-A | ||
10. | El relicario (Padilla) | 3:04 |
18 May 1927; (BVE-38039-4) 1294-B | ||
French Songs | ||
11. | Bergère légère (Weckerlin) | 2:00 |
4 February 1925; (B-31831-1) 1108-B | ||
12. | Tambourin (Traditional; arranged by Tiersot) | 2:15 |
3 February 1925; (B-31800-2) unpublished | ||
13. | Alleluia d’amour (Faure) | 4:21 |
29 November 1910; (C-9676-1) 74234 | ||
14. | Le mariage des roses (Franck) | 2:39 |
18 May 1908; (C-6200-1) first issued on AGSB-69 | ||
15. | Le plongeur (Widor) | 1:59 |
18 May 1908; (C-6200-1) first issued on AGSB-69 | ||
16. | A Colombine - Sérénade d’Arlequin (Massenet) | 2:15 |
20 May 1902; (pre-matrix B-1401-2) Victor 1401 | ||
17. | A toi (Bemberg) | 2:30 |
21 May 1902; (pre-matrix 1406) 1406 | ||
18. | Malgré moi (Pfeiffer) | 2:57 |
28 November 1911; (B-11315-1) 64242 | ||
19. | Voici que le printemps (Debussy) | 2:59 |
6 April 1928; (BVE-43617-1) first issued on IRCC 72-B | ||
English Songs | ||
20. | SEMELE: Where’er you walk (Handel) | 4:01 |
3 July 1907; (C-4545-2) 74086 | ||
21. | When dull care (Traditional, arranged by H. Lane Wilson) | 2:26 |
24 October 1916; (B-18573-3) 64629 | ||
22. | Drink to me only with thine eyes (Traditional) | 3:04 |
14 May 1909; (C-7083-1) 74077 | ||
23. | Mother o’ mine (Tours) | 2:25 |
18 May 1908; (C-6199-1) 74118 | ||
24. | The lark now leaves his wat’ry nest (Parker) | 1:53 |
18 May 1908; (C-6199-1) 74118 | ||
25. | The pipes of Pan (Elgar) | 3:56 |
15 April 1915; (C-15900-2) 74438 | ||
26. | The clang of the forge (Rodney) | 2:35 |
14 May 1909; (B-7086-1) 64037 | ||
27. | In old Madrid (Trotère) | 3:10 |
12 January 1926; (BVE-24103-7) 1179-B | ||
CD 1: | ||
CD 2: | ||
All Tracks were recorded by the Victor Talking Machine Company except CD 2, Track 1 |
Producers: Lawrence F. Holdridge and Ward Marston
Audio Conservation: Ward Marston
Photos: Girvice Archer, Gregor Benko, and Charles Mintzer
Audio Assistance: J. Richard Harris
Booklet Design: Takeshi Takahashi
Marston would like to thank Gregor Benko, Luc Bourrousse, Rudi van den Bulck, Ramona Fassio, Lawrence F. Holdridge, and Jeffrey Miller for their help in the production of this CD release.
Emilio de Gogorza:
Baritone: Selected Recordings
Emilio de Gogorza was born in Brooklyn, New York, in 1874 of Spanish parents. He began his singing studies in Spain and sang in many languages including French, Italian, Spanish, and English. Owing to severe myopia, de Gogorza did not appear on the operatic stage, though he did have a major career as a concert singer. In fact, he made his debut in a concert with Marcella Sembrich in 1897. He lived and taught in New York, as well as in Philadelphia, where he taught at the Curtis Institute of Music. He was married for a time to soprano, Emma Eames, and although their marriage did not last, they remained life-long friends. Being one of the most prolific recording artists of his time, his many records have placed de Gogorza firmly in the pantheon of first ranking baritones. He used his voice skillfully and his impeccable diction made him especially well-suited to the acoustic recording process. This best of de Gogorza compilation will cover his recording career from 1900 to 1928, including several brown wax Edison cylinders issued under the name Senior Francisco. The set will conclude with the record which de Gogorza considered his personal favorite, Debussy's Voici que le Printemps recorded in 1928.