Three Tenors of the Opéra-Comique:

Louis Cazette, Charles Friant and Jean Marny

COMPLETE TRACK LISTING
LINER NOTES

Opera stars of today are likely to perform for scores of opera companies around the globe. Few singers are associated with a particular company and few companies have particularly distinguishing features. This was not the case at the turn of the last century and no company was more steeped in its own traditions than the Opéra-Comique. Dating back to 1715 and until its dissolution in the early 1970s, the opéra-comique tradition (French opera with spoken dialogue) was one of the most distinctive and best- maintained forms of French artistic expression. The Opéra-Comique roster of artists was extensive and the list of extraordinary performances, countless. Three outstanding tenors of the Opéra-Comique who flourished during the 1920s were: Louis Cazette, Charles Friant and Jean Marny. Cazette was a singer with a supple voice who used it with charm, elegance and skill. His early death was one of the tragedies in the chronicles of the French operatic theater and his short life produced only eleven rare recorded sides. Friant was known for his articulation, musical sensibility and exquisite phrasing. His dramatic sense of reality made the characters he portrayed unforgettable. Marny was a cross between a lyric and dramatic tenor. He sings the part of Le chevalier des Grieux on Marston's Manon, 52003 and created one of the greatest Werthers of his time. Three Tenors of the Opéra-Comique preserves true exemplars of the now almost lost French style of singing.

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Track Listing

77:43
LOUIS CAZETTE
The Complete Recordings: French HMV
 
1. MIGNON: Je suis heureuse (Thomas) 3:15
  with Suzanne Brohly, soprano
  2 March 1922; (BE3181) P437
2. MIGNON: Ah, que ton âme (Thomas) 2:40
  25 April 1922; (BS2811) P437
3. MANON: Instant charmant... En fermant les yeux (Massenet) 4:02
  31 May 1921; (034582v) W487
4. MANON: Je suis seul... Ah, fuyez, douce image (Massenet) 4:33
  31 May 1921; (034592v) W487
5. GRISÉLIDIS: Je suis l'oiseau (Massenet) 2:58
  1 February 1922; (BE2151) P436
6. FORTUNIO: J'aimais la vieille maison grise (Messager) 2:44
  25 April 1922; (BS2802) P436
7. Sérénade (Toselli) 3:19
  28 October 1920; (21758u) P386
8. Le tango du rêve (Malderen) 3:05
  8 November 1920; (21760u) P386
9. Pour un baiser (Tosti) 3:13
  8 November 1920; (21761u) P413
10. Mon coeur est un oiseau fidèle (Maingueneau) 2:49
  January 1921; (21847u) P413
11. Dormez, amours (Rousseau) 3:24
  10 November 1920; (21776u) P457
CHARLES FRIANT
A Selection of his Acoustic French HMV and Pathé Recordings
 
12. WERTHER: Je ne sais si je veille (Massenet) 4:17
  6 March 1920; (HMV 03331v) W406
13. WERTHER: Lorsque l'enfant revient (Massenet) 4:08
  10 March 1920; (HMV 033362v) W406
14. LE JONGLEUR DE NOTRE-DAME: O liberté, ma mie (Massenet) 3:17
  1923; (Pathé 4820) 0360
15. L'ATTAQUE DU MOULIN: Le jour tombe (Bruneau) 4:17
  1 February 1922; (HMV CE2131) W516
16. LE HULLA: Mos destins sont écrits (Samuel-Rousseau) 3:40
  1924; (Pathé 1462) 0415
17. Aimons-nous (Saint-Saëns) 4:06
  10 November 1922; (HMV CS5472) W524
JEAN MARNY
A Selection of his Pathé Recordings
 
18. MANON: Duo du Seminaire (Massenet) 6:50
  with Ninon Vallin, soprano
  Ca. 1920; (2059, 2060) 2553
19. WERTHER: La mort de Werther (Massenet) 2:58
  Ca. 1920; (3787) 0337
20. LOUISE: Quelle musique (Charpentier) 2:18
  Ca. 1925; (200132) 0506
21. LA RÔTISSERIE DE LA REINE PÉDAUQUE: Rêverie de Jacques (Levadé) 2:28
  Ca.1920; (2058) 3175
22. MIGNON: Elle ne croyait pas (Thomas) 3:22
  March 1930; (202100) x0680
ACKNOWLEDGEMENTS
Thanks to Tom Kaufman and François Nouvion for data on the career of Jean Marny.
Thanks to Katherine Stinson for her editorial advice.
Thanks to Manfred and Andrée Weidemann of Pioneer Photo, Inc., Cooperstown, NY, for reproducing the photographs of Louis Cazette and Jean Marny.

Producer: Lewis Morris Hall

Audio Conservation: Ward Marston

Booklet Design: Takeshi Takahashi

Photographs: Roger Gross, Lewis M. Hall, Charles Minzter, and Pierre Van de Weghe

Marston would like to thank Gregor Benko, Rudi V.D. Bluck, Lawrence F. Holdridge, John Humbley and Peter Lack for their help in the production of this CD release.